Paintings
Oil, watercolor, and acrylic paintings
The Artist in His Studio - James McNeill Whistler
"The Artist in His Studio" by James McNeill Whistler (1865–66) Oil on paper mounted on panel.
Read commentary →Woman at Her Toilette - Berthe Morisot
"Woman at Her Toilette" by Berthe Morisot (1875–80) Oil on canvas.
Read commentary →Venice, Palazzo Dario - Claude Monet
"Venice, Palazzo Dario" by Claude Monet (1908) Oil on canvas.
Read commentary →View of the Grotta di Palazzo with Banquet - Louis Jean Desprez
"View of the Grotta di Palazzo with Banquet" by Louis Jean Desprez (c. 1790) Pen and black ink and brush and watercolor, over traces of graphite, on ivory laid paper, laid down on card.
Read commentary →Colonnade and Gardens of the Medici Palace - Style of Hubert Robert
"Colonnade and Gardens of the Medici Palace" by Style of Hubert Robert (After 1870) Oil on panel.
Read commentary →Title Page, from Twelve Months of Flowers - Henry Fletcher
"Title Page, from Twelve Months of Flowers" by Henry Fletcher (n.d.) Engraving in black ink with opaque and translucent watercolor on cream laid paper.
Read commentary →January, from Twelve Months of Flowers - Henry Fletcher
"January, from Twelve Months of Flowers" by Henry Fletcher (n.d.) Engraving in black ink with opaque and translucent watercolor on cream laid paper.
Read commentary →Lunch at the Restaurant Fournaise (The Rowers' Lunch) - Pierre-Auguste Renoir
"Lunch at the Restaurant Fournaise (The Rowers' Lunch)" by Pierre-Auguste Renoir (1875) Oil on canvas.
Read commentary →Roma Antica - Giovanni Paolo Panini
"Roma Antica" by Giovanni Paolo Panini (1757/60) Pen and black ink, watercolor, and brush and gray wash, heightened with touches of white gouache, over graphite, on ivory laid paper, laid down on cream laid card.
Read commentary →Water Lily Pond - Claude Monet
"Water Lily Pond" by Claude Monet (1900) Oil on canvas.
Read commentary →Near the Lake - Pierre-Auguste Renoir
"Near the Lake" by Pierre-Auguste Renoir (1879–80) Oil on canvas.
Read commentary →March, from Twelve Months of Flowers - Henry Fletcher
"March, from Twelve Months of Flowers" by Henry Fletcher (n.d.) Engraving in black ink with opaque and translucent watercolor on cream laid paper.
Read commentary →February, from Twelve Months of Flowers - Henry Fletcher
"February, from Twelve Months of Flowers" by Henry Fletcher (n.d.) Engraving in black ink with opaque and translucent watercolor on cream laid paper.
Read commentary →July, from Twelve Months of Flowers - Henry Fletcher
"July, from Twelve Months of Flowers" by Henry Fletcher (n.d.) Engraving in black ink with opaque and translucent watercolor on cream laid paper.
Read commentary →May, from Twelve Months of Flowers - Henry Fletcher
"May, from Twelve Months of Flowers" by Henry Fletcher (n.d.) Engraving in black ink with opaque and translucent watercolor on cream laid paper.
Read commentary →April, from Twelve Months of Flowers - Henry Fletcher
"April, from Twelve Months of Flowers" by Henry Fletcher (n.d.) Engraving in black ink with opaque and translucent watercolor on cream laid paper.
Read commentary →September, from Twelve Months of Flowers - Henry Fletcher
"September, from Twelve Months of Flowers" by Henry Fletcher (n.d.) Engraving in black ink with opaque and translucent watercolor on cream laid paper.
Read commentary →August, from Twelve Months of Flowers - Henry Fletcher
"August, from Twelve Months of Flowers" by Henry Fletcher (n.d.) Engraving in black ink with opaque and translucent watercolor on cream laid paper.
Read commentary →November, from Twelve Months of Flowers - Henry Fletcher
"November, from Twelve Months of Flowers" by Henry Fletcher (n.d.) Engraving in black ink with opaque and translucent watercolor on cream laid paper.
Read commentary →October, from Twelve Months of Flowers - Henry Fletcher
"October, from Twelve Months of Flowers" by Henry Fletcher (n.d.) Engraving in black ink with opaque and translucent watercolor on cream laid paper.
Read commentary →December, from Twelve Months of Flowers - Henry Fletcher
"December, from Twelve Months of Flowers" by Henry Fletcher (n.d.) Engraving in black ink with opaque and translucent watercolor on cream laid paper.
Read commentary →Interior. The Music Room, Strandgade 30 - Vilhelm Hammershøi
"Interior. The Music Room, Strandgade 30" by Vilhelm Hammershøi (1907) Oil on canvas.
Read commentary →Tarragona Terrace and Garden - John Singer Sargent
"Tarragona Terrace and Garden" by John Singer Sargent (c. 1908) Watercolor and opaque watercolor with printed paper fragments over traces of graphite on ivory wove paper.
Read commentary →Naples with Mt. Vesuvius - Rudolf von Alt
"Naples with Mt. Vesuvius" by Rudolf von Alt (1835) Watercolor on paper.
Read commentary →Mrs. George Swinton (Elizabeth Ebsworth) - John Singer Sargent
"Mrs. George Swinton (Elizabeth Ebsworth)" by John Singer Sargent (1897) Oil on canvas.
Read commentary →For Sunday's Dinner - William Michael Harnett
"For Sunday's Dinner" by William Michael Harnett (1888) Oil on canvas.
Read commentary →Rack Picture for Dr. Nones - William A. Mitchell
"Rack Picture for Dr. Nones" by William A. Mitchell (1879) Oil on canvas.
Read commentary →The Fates Gathering in the Stars - Elihu Vedder
"The Fates Gathering in the Stars" by Elihu Vedder (1887) Oil on canvas.
Read commentary →Icebound - John Henry Twachtman
"Icebound" by John Henry Twachtman (c. 1889) Oil on canvas.
Read commentary →William Bonham - William Bonnell
"William Bonham" by William Bonnell (March 4, 1825) Oil on panel.
Read commentary →J. Ellis Bonham - William Bonnell
"J. Ellis Bonham" by William Bonnell (March 5, 1825) Oil on panel.
Read commentary →Saint George and the Dragon - Bernat Martorell
"Saint George and the Dragon" by Bernat Martorell (1434–35) Tempera on panel.
Read commentary →Landscape (The Lock) - John Constable
"Landscape (The Lock)" by John Constable (c. 1820–25) Oil on canvas.
Read commentary →Madame Léon Clapisson - Pierre-Auguste Renoir
"Madame Léon Clapisson" by Pierre-Auguste Renoir (1883) Oil on canvas.
Read commentary →The Music Lesson - Gerard ter Borch the Younger
"The Music Lesson" by Gerard ter Borch the Younger (c. 1670) Oil on canvas.
Read commentary →Brooklyn Bridge - Henry Ward Ranger
"Brooklyn Bridge" by Henry Ward Ranger (1899) Oil on canvas.
Read commentary →The Millinery Shop - Hilaire Germain Edgar Degas
"The Millinery Shop" by Hilaire Germain Edgar Degas (1879-86) Oil on canvas.
Read commentary →Crucifixion - María Josefa Sánchez
"Crucifixion" by María Josefa Sánchez (1646) Oil on panel.
Read commentary →A Boy Blowing on a Firebrand - Gerrit van Honthorst
"A Boy Blowing on a Firebrand" by Gerrit van Honthorst (1621–22) Oil on canvas.
Read commentary →Yellow Dancers (In the Wings) - Hilaire Germain Edgar Degas
"Yellow Dancers (In the Wings)" by Hilaire Germain Edgar Degas (1874–76) Oil on canvas.
Read commentary →The Child's Bath - Mary Cassatt
"The Child's Bath" by Mary Cassatt (1893) Oil on canvas.
Read commentary →The Herring Net - Winslow Homer
"The Herring Net" by Winslow Homer (1885) Oil on canvas.
Read commentary →Two Sisters (On the Terrace) - Pierre-Auguste Renoir
"Two Sisters (On the Terrace)" by Pierre-Auguste Renoir (1881) Oil on canvas.
Read commentary →The Irish Question - De Scott Evans
"The Irish Question" by De Scott Evans (1880s) Oil on canvas.
Read commentary →Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan - Joshua Johnson
"Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan" by Joshua Johnson (c. 1805) Oil on canvas.
Read commentary →Distant View of Niagara Falls - Thomas Cole
"Distant View of Niagara Falls" by Thomas Cole (1830) Oil on wood panel.
Read commentary →Waterloo Bridge, Gray Weather - Claude Monet
"Waterloo Bridge, Gray Weather" by Claude Monet (1900) Oil on canvas.
Read commentary →Mountain Brook - Albert Bierstadt
"Mountain Brook" by Albert Bierstadt (1863) Oil on canvas.
Read commentary →Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm - Joseph Mallord William Turner
"Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm" by Joseph Mallord William Turner (1836–37) Oil on canvas.
Read commentary →Arlésiennes (Mistral) - Paul Gauguin
"Arlésiennes (Mistral)" by Paul Gauguin (1888) Oil on jute canvas.
Read commentary →Woman in Front of a Still Life by Cezanne - Paul Gauguin
"Woman in Front of a Still Life by Cezanne" by Paul Gauguin (1890) Oil on linen canvas.
Read commentary →No te aha oe riri (Why Are You Angry?) - Paul Gauguin
"No te aha oe riri (Why Are You Angry?)" by Paul Gauguin (1896) Oil on jute canvas.
Read commentary →Beggar with a Duffle Coat (Philosopher) - Édouard Manet
"Beggar with a Duffle Coat (Philosopher)" by Édouard Manet (1865–67) Oil on canvas.
Read commentary →Sea View, Calm Weather (Vue de mer, temps calme) - Édouard Manet
"Sea View, Calm Weather (Vue de mer, temps calme)" by Édouard Manet (1864) Oil on canvas.
Read commentary →Charing Cross Bridge, London - Claude Monet
"Charing Cross Bridge, London" by Claude Monet (1901) Oil on canvas.
Read commentary →The Customs House at Varengeville - Claude Monet
"The Customs House at Varengeville" by Claude Monet (1897) Oil on canvas.
Read commentary →Cliff Walk at Pourville - Claude Monet
"Cliff Walk at Pourville" by Claude Monet (1882) Oil on canvas.
Read commentary →The Beach at Sainte-Adresse - Claude Monet
"The Beach at Sainte-Adresse" by Claude Monet (1867) Oil on canvas.
Read commentary →Arrival of the Normandy Train, Gare Saint-Lazare - Claude Monet
"Arrival of the Normandy Train, Gare Saint-Lazare" by Claude Monet (1877) Oil on canvas.
Read commentary →Branch of the Seine near Giverny (Mist) - Claude Monet
"Branch of the Seine near Giverny (Mist)" by Claude Monet (1897) Oil on canvas.
Read commentary →Apples and Grapes - Claude Monet
"Apples and Grapes" by Claude Monet (1880) Oil on canvas.
Read commentary →Waterloo Bridge, Sunlight Effect - Claude Monet
"Waterloo Bridge, Sunlight Effect" by Claude Monet (1903) Oil on canvas.
Read commentary →Rocks at Port-Goulphar, Belle-Île - Claude Monet
"Rocks at Port-Goulphar, Belle-Île" by Claude Monet (1886) Oil on canvas.
Read commentary →Étretat: The Beach and the Falaise d'Amont - Claude Monet
"Étretat: The Beach and the Falaise d'Amont" by Claude Monet (1885) Oil on canvas.
Read commentary →Houses of Parliament, London - Claude Monet
"Houses of Parliament, London" by Claude Monet (1900–1) Oil on canvas.
Read commentary →Boats on the Beach at Étretat - Claude Monet
"Boats on the Beach at Étretat" by Claude Monet (1885) Oil on canvas.
Read commentary →The Petite Creuse River - Claude Monet
"The Petite Creuse River" by Claude Monet (1889) Oil on canvas.
Read commentary →The Departure of the Boats, Étretat - Claude Monet
"The Departure of the Boats, Étretat" by Claude Monet (1885) Oil on canvas.
Read commentary →On the Bank of the Seine, Bennecourt - Claude Monet
"On the Bank of the Seine, Bennecourt" by Claude Monet (1868) Oil on canvas.
Read commentary →Water Lily Pond - Claude Monet
"Water Lily Pond" by Claude Monet (1917–19) Oil on canvas.
Read commentary →Woman and Child at the Well - Camille Pissarro
"Woman and Child at the Well" by Camille Pissarro (1882) Oil on canvas.
Read commentary →The Place du Havre, Paris - Camille Pissarro
"The Place du Havre, Paris" by Camille Pissarro (1893) Oil on canvas.
Read commentary →Young Peasant Having Her Coffee - Camille Pissarro
"Young Peasant Having Her Coffee" by Camille Pissarro (1881) Oil on canvas.
Read commentary →Fruits of the Midi - Pierre-Auguste Renoir
"Fruits of the Midi" by Pierre-Auguste Renoir (1881) Oil on canvas.
Read commentary →Chrysanthemums - Pierre-Auguste Renoir
"Chrysanthemums" by Pierre-Auguste Renoir (1881–82) Oil on canvas.
Read commentary →Lucie Berard (Child in White) - Pierre-Auguste Renoir
"Lucie Berard (Child in White)" by Pierre-Auguste Renoir (1883) Oil on canvas.
Read commentary →Alfred Sisley - Pierre-Auguste Renoir
"Alfred Sisley" by Pierre-Auguste Renoir (1876) Oil on canvas.
Read commentary →Young Woman Sewing - Pierre-Auguste Renoir
"Young Woman Sewing" by Pierre-Auguste Renoir (1879) Oil on canvas.
Read commentary →Seascape - Pierre-Auguste Renoir
"Seascape" by Pierre-Auguste Renoir (1879) Oil on canvas.
Read commentary →The Laundress - Pierre-Auguste Renoir
"The Laundress" by Pierre-Auguste Renoir (1877–79) Oil on canvas.
Read commentary →Boats at Rest - Arthur Wesley Dow
"Boats at Rest" by Arthur Wesley Dow (c. 1895) Oil on canvas.
Read commentary →In the Café - Fernand Lungren
"In the Café" by Fernand Lungren (1882–84) Oil on canvas.
Read commentary →Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy - James McNeill Whistler
"Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy" by James McNeill Whistler (1894) Oil on canvas.
Read commentary →Portrait of Emmanuel Rio - Albert Schindler
"Portrait of Emmanuel Rio" by Albert Schindler (1836) Oil on panel.
Read commentary →Lady Filmer in her Drawing Room - Mary Georgiana Caroline, Lady Filmer
"Lady Filmer in her Drawing Room" by Mary Georgiana Caroline, Lady Filmer (1863–68) Albumen prints, collage and watercolor.
Read commentary →Scene from Bohemian Life - James McNeill Whistler
"Scene from Bohemian Life" by James McNeill Whistler (1855/57) Pen and black ink and black watercolor over graphite, with touches of white opaque paint (discolored), on tan laid paper laid down on cream board.
Read commentary →Grey and Silver: Old Battersea Reach - James McNeill Whistler
"Grey and Silver: Old Battersea Reach" by James McNeill Whistler (1863) Oil on canvas.
Read commentary →Trouville (Grey and Green, the Silver Sea) - James McNeill Whistler
"Trouville (Grey and Green, the Silver Sea)" by James McNeill Whistler (1865) Oil on canvas.
Read commentary →Portrait of Dr. William McNeill Whistler - James McNeill Whistler
"Portrait of Dr. William McNeill Whistler" by James McNeill Whistler (1871–73) Oil on panel.
Read commentary →Nocturne: Blue and Gold—Southampton Water - James McNeill Whistler
"Nocturne: Blue and Gold—Southampton Water" by James McNeill Whistler (1872) Oil on canvas.
Read commentary →Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" - James McNeill Whistler
"Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"" by James McNeill Whistler (1872–73) Oil on canvas.
Read commentary →Corte del Paradiso - James McNeill Whistler
"Corte del Paradiso" by James McNeill Whistler (1880) Pastel and black chalk on brown wove paper with fibrous inclusions.
Read commentary →The Little Blue Cap - James McNeill Whistler
"The Little Blue Cap" by James McNeill Whistler (1893/95) Watercolor and opaque watercolor over charcoal on brown wove paper.
Read commentary →Violet and Silver—The Deep Sea - James McNeill Whistler
"Violet and Silver—The Deep Sea" by James McNeill Whistler (1893) Oil on canvas.
Read commentary →Study of a Girl's Head and Shoulders - James McNeill Whistler
"Study of a Girl's Head and Shoulders" by James McNeill Whistler (1896–97) Oil on panel.
Read commentary →Coast Scene, Bathers - James McNeill Whistler
"Coast Scene, Bathers" by James McNeill Whistler (1884–85) Oil on panel.
Read commentary →Chelsea Shop - James McNeill Whistler
"Chelsea Shop" by James McNeill Whistler (1897/1900) Watercolor with touches of opaque watercolor on cream wove paper.
Read commentary →Study for "Arrangement in Black, No. 2: Portrait of Mrs. Louis Huth" (recto); Study for "Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland" (verso) - James McNeill Whistler
"Study for "Arrangement in Black, No. 2: Portrait of Mrs. Louis Huth" (recto); Study for "Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland" (verso)" by James McNeill Whistler (c. 1872) Pastel (recto), and black chalk with touches of pink and white pastel (verso), on brown wove paper.
Read commentary →Green and Blue: The Dancer - James McNeill Whistler
"Green and Blue: The Dancer" by James McNeill Whistler (c. 1893) Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card.
Read commentary →Two Figures (related to the painting Tahitian Landscape) - Paul Gauguin
"Two Figures (related to the painting Tahitian Landscape)" by Paul Gauguin (1891/93) Black chalk, with touches of watercolor and watercolor offset on cream wove paper.
Read commentary →Seated Tahitian Youth - Paul Gauguin
"Seated Tahitian Youth" by Paul Gauguin (1894/1903) Watercolor and graphite on irregularly shaped cream wove Japanese paper, laid down on ivory laid paper with brown and blue fibers, laid down on cream wove paper.
Read commentary →Two Tahitian Women in a Landscape - Paul Gauguin
"Two Tahitian Women in a Landscape" by Paul Gauguin (c. 1892) Monotype matrix in watercolor and gouache, with brush and green ink, over traces of graphite, on cream Japanese paper, laid down on tan wove paper (partially removed).
Read commentary →Pape moe - Paul Gauguin
"Pape moe" by Paul Gauguin (1893/94) Watercolor, with black fabricated chalk, pen and brown ink (originally purple) and touches of brush and black ink on heavily textured ivory wove paper.
Read commentary →Breton Bather - Paul Gauguin
"Breton Bather" by Paul Gauguin (1886/87) Charcoal and pastel, with touches of brush and brown ink, on ivory laid paper (discolored to tan), partially outlined in graphite and squared in black fabricated chalk, with yellow paint residue on verso.
Read commentary →Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her) - Paul Gauguin
"Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her)" by Paul Gauguin (1894/95) Wood-block print in black ink with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory Japanese paper, laid down on cream Japanese paper.
Read commentary →Oviri - Paul Gauguin
"Oviri" by Paul Gauguin (1894) Wood-block print, printed twice in deep-yellow ocher and brown ink, with touches of black watercolor, on cream wove paper (an imitation Japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation Japanese vellum) mounted on mo
Read commentary →Noa Noa (Fragrant), from the Noa Noa Suite - Paul Gauguin
"Noa Noa (Fragrant), from the Noa Noa Suite" by Paul Gauguin (1893/94) Wood-block print in black ink, with touches of reddish-brown watercolor and black ink, over yellow ink tone block and transferred golden-yellow, orange, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream Japanese paper, laid down on heavy cream wove card.
Read commentary →Noa Noa (Fragrant), from the Noa Noa Suite - Paul Gauguin
"Noa Noa (Fragrant), from the Noa Noa Suite" by Paul Gauguin (1893/94) Wood-block print in black ink, over traces of brown ink, with hand-applied blue, light blue, several greens, pink, orange, pale-orange, yellow, pale-red, and dark-gray watercolor, on ivory Japanese paper.
Read commentary →Te po (The Night) from the Noa Noa Suite - Paul Gauguin
"Te po (The Night) from the Noa Noa Suite" by Paul Gauguin (1893/94) Wood-block print, printed twice in brown and black inks, with selective wiping, and hand-applied red, two tones of orange, yellow, two tones of blue, silver-gray, and black watercolor, on cream laid Japanese paper laid down on cream wove Japanese paper (a laminate made by the artist).
Read commentary →L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite - Paul Gauguin
"L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite" by Paul Gauguin (1893/94) Wood-block print, printed twice in black and brown inks, with selective wiping, and hand-applied orange, yellow, red, two tones of green, two tones of blue, silver-gray and black watercolor, on cream wove Japanese paper laid down on cream laid Japanese paper (a laminate made by the artist).
Read commentary →Maruru (Offerings of Gratitude), from the Noa Noa Suite - Paul Gauguin
"Maruru (Offerings of Gratitude), from the Noa Noa Suite" by Paul Gauguin (1893/94) Wood-block print, printed twice in brown and black inks, with selective wiping of the brown, and hand-applied green, blue, two yellows, and pink watercolor on ivory wove Japanese paper laid down on cream laid Japanese paper (a laminate made by the artist).
Read commentary →Te faruru (Here We Make Love), from the Noa Noa Suite - Paul Gauguin
"Te faruru (Here We Make Love), from the Noa Noa Suite" by Paul Gauguin (1893/94) Wood-block print, printed twice in brown and black inks, with selective wiping, and a transferred twill impression, touches of brush and red and green watercolors, and traces of brush and black ink, on pale-pink wove paper (faded to tan).
Read commentary →Nave nave fenua (Delightful Land), from the Noa Noa Suite - Paul Gauguin
"Nave nave fenua (Delightful Land), from the Noa Noa Suite" by Paul Gauguin (1893/94) Wood-block print in black ink, with hand-applied red, blue, green, yellow, red-orange, and silver-gray watercolor on tan wove paper.
Read commentary →Noa noa (Fragrant) - Paul Gauguin
"Noa noa (Fragrant)" by Paul Gauguin (1894/95) Wood-block print in black ink, with red, orange, blue, mauve, light green, and green watercolor on parchment.
Read commentary →Tahitian Idol—the Goddess Hina - Paul Gauguin
"Tahitian Idol—the Goddess Hina" by Paul Gauguin (1894/95) Wood-block print in reddish-brown ink with blue-gray watercolor on ivory wove paper, laid down on ivory wove paper.
Read commentary →Mahana atua (Day of the God) - Paul Gauguin
"Mahana atua (Day of the God)" by Paul Gauguin (1894/95) Wood-block print in black ink with touches of solvent-thinned blue, red, and orange watercolors (recto); wood-block print, printed twice in brown and brown-black ink (a maculature impression) (verso), on cream Japanese paper.
Read commentary →Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her) - Paul Gauguin
"Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her)" by Paul Gauguin (1894/95) Wood-block print, printed twice in black ink, with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory Japanese paper, laid down on cream Japanese paper.
Read commentary →Le sourire: Journal sérieux, Aug. 21, 1899 - Paul Gauguin
"Le sourire: Journal sérieux, Aug. 21, 1899" by Paul Gauguin (1899) Mimeograph in brownish-black ink with touches of pink watercolor, and wood-block print in ocher ink, on cream wove paper.
Read commentary →Caricatures of Gauguin and Governor Gallet, with headpiece from Le sourire - Paul Gauguin
"Caricatures of Gauguin and Governor Gallet, with headpiece from Le sourire" by Paul Gauguin (1900) Watercolor, with black colored pencil, and touches of pen and black ink, over a transfer drawing in black, and wood-block print in black ink with blue watercolor on cream wove paper.
Read commentary →Te faruru (Here We Make Love), from the Noa Noa Suite - Paul Gauguin
"Te faruru (Here We Make Love), from the Noa Noa Suite" by Paul Gauguin (1893/94) Wood-block print, printed twice in golden-brown and black inks, with selective wiping of the black ink, over a selectively inked yellow tone block, and transferred deep-yellow, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with hand-applied dark yellow and brown go
Read commentary →Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite - Paul Gauguin
"Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite" by Paul Gauguin (1893/94) Wood-block print, printed three times in reddish-brown, black, and light black ink, with touches of brush and black gouache and silver-gray watercolor (altered from black), on ivory laid Japanese paper, laid down on ivory wove Japanese paper (a laminate made by the artist).
Read commentary →Two Maoris - Paul Gauguin
"Two Maoris" by Paul Gauguin (1896/97) Wood-block print printed twice in ocher and black ink, with red-brown watercolor on brown laid Japanese paper.
Read commentary →Memory of Meijer de Haan - Paul Gauguin
"Memory of Meijer de Haan" by Paul Gauguin (1896/97) Wood-block print printed twice in black and brown ink, with dry brush and gray and ocher watercolor, on cream Japanese paper.
Read commentary →Maoris and Animals - Paul Gauguin
"Maoris and Animals" by Paul Gauguin (1896/97) Wood-block print in yellow ocher ink with gray-blue watercolor and touches of red watercolor on cream wove notebook paper ruled in blue.
Read commentary →Sketches of Figures, Pandanus Leaf, and Vanilla Plant - Paul Gauguin
"Sketches of Figures, Pandanus Leaf, and Vanilla Plant" by Paul Gauguin (1891/93) black fabricated chalk and watercolor on cream wove paper (removed from a sketchbook).
Read commentary →The Yellow Christ (recto), Female Bather Wading through a Brook - Paul Gauguin
"The Yellow Christ (recto), Female Bather Wading through a Brook" by Paul Gauguin (c. 1889) Salted paper print (extremely faded) toned with watercolor, on cream wove silver printing-out paper, laid down on cream card (recto); albumen print laid down on cream card (verso).
Read commentary →Still Life with Cat - Paul Gauguin
"Still Life with Cat" by Paul Gauguin (c. 1899) Watercolor on cream laid paper, laid down on cream Japanese paper.
Read commentary →A Fisherman Drinking Beside His Canoe - Paul Gauguin
"A Fisherman Drinking Beside His Canoe" by Paul Gauguin (1894) Wood-block print in black ink, with red, orange, yellow, green, blue, violet and brown watercolor and touches of red and orange gouache, on ivory Japanese paper, laid down on cream Japanese paper.
Read commentary →Tahitian Hut - Paul Gauguin
"Tahitian Hut" by Paul Gauguin (1891/93) Watercolor, with touches of gouache, over graphite, on tan wove paper.
Read commentary →Tahitians Fishing - Paul Gauguin
"Tahitians Fishing" by Paul Gauguin (1891/93) Brush and black ink, over brush and brown ink (originally purple), with watercolor and gouache on parchment, laid down on brown wove paper.
Read commentary →Man with an Ax - Paul Gauguin
"Man with an Ax" by Paul Gauguin (1891/93) Thinned gouache, with pen and black ink, over pen and brown ink, on cream wove paper (discolored to tan), laid down on cream Japanese paper.
Read commentary →Ten Studies of Tahitian Figures - Paul Gauguin
"Ten Studies of Tahitian Figures" by Paul Gauguin (1891/93) Brush and brown inks (originally purple), with watercolor, on parchment.
Read commentary →Bust of a Tahitian Woman - Paul Gauguin
"Bust of a Tahitian Woman" by Paul Gauguin (1894) Watercolor monotype on ivory Japanese paper, discolored to tan, laid down on tan wove paper.
Read commentary →Tahitian Landscape - Paul Gauguin
"Tahitian Landscape" by Paul Gauguin (1894) Watercolor monotype from a glass matrix, with touches of gouache on cream wove paper laid down on ivory Japanese paper.
Read commentary →Aha oe feii? (What! Are You Jealous?) - Paul Gauguin
"Aha oe feii? (What! Are You Jealous?)" by Paul Gauguin (1894) Watercolor monotype from a glass matrix, with brush and white gouache, reddish-brown and black water color, on cream wove paper (an imitation Japanese vellum).
Read commentary →Change of Residence, from the Suite of Late Wood-Block Prints - Paul Gauguin
"Change of Residence, from the Suite of Late Wood-Block Prints" by Paul Gauguin (1899) Wood-block print in black ink, with touches of red and black watercolor, on cream wove paper.
Read commentary →Two Standing Tahitian Women - Paul Gauguin
"Two Standing Tahitian Women" by Paul Gauguin (1894) Black ink monotype from a glass matrix, over watercolor monotype from a paper matrix, with touches of metallic oil-based media, on thin cream Japanese paper laid down on cream wove paper (an imitation Japanese vellum).
Read commentary →Studies of Trees and Foliage - Pierre-Auguste Renoir
"Studies of Trees and Foliage" by Pierre-Auguste Renoir (1884/87) Pen and black ink with opaque and transparent watercolor on ivory wove paper.
Read commentary →The Auvers Valley on the Oise River - Pierre-Auguste Renoir
"The Auvers Valley on the Oise River" by Pierre-Auguste Renoir (after 1884) Gouache and watercolor, with touches of scraping, on ivory wove paper.
Read commentary →Grove of Trees - Pierre-Auguste Renoir
"Grove of Trees" by Pierre-Auguste Renoir (1888/90) Opaque and transparent watercolor on cream wove paper.
Read commentary →Untitled Drawing for Frame Cartouche (Salamander) - Theodore Roussel
"Untitled Drawing for Frame Cartouche (Salamander)" by Theodore Roussel (1899/1908) Brush and black ink, gold metallic ink, and watercolor on semi-transparent tan wove paper.
Read commentary →Design for a Frame - Theodore Roussel
"Design for a Frame" by Theodore Roussel (1899–1908) Pen and brush and black ink, with graphite and traces of white gouache on semi-transparent yellowish brown wove paper.
Read commentary →The Adoration of the Magi - Raffaello Botticini
"The Adoration of the Magi" by Raffaello Botticini (c. 1495) Tempera on panel.
Read commentary →Fruit Piece - Hannah Brown Skeele
"Fruit Piece" by Hannah Brown Skeele (1860) Oil on canvas.
Read commentary →Madonna and Child with Saints Elizabeth and John the Baptist - Jacopino del Conte
"Madonna and Child with Saints Elizabeth and John the Baptist" by Jacopino del Conte (1535–40) Oil on panel.
Read commentary →Thistles - John Singer Sargent
"Thistles" by John Singer Sargent (1883–89) Oil on canvas.
Read commentary →Venetian Glass Workers - John Singer Sargent
"Venetian Glass Workers" by John Singer Sargent (1880–82) Oil on canvas.
Read commentary →On a Balcony - Mary Cassatt
"On a Balcony" by Mary Cassatt (1878–79) Oil on canvas.
Read commentary →Beata Beatrix - Dante Gabriel Rossetti
"Beata Beatrix" by Dante Gabriel Rossetti (1871–72) Oil on canvas.
Read commentary →Self-Portrait - Eastman Johnson
"Self-Portrait" by Eastman Johnson (1863) Oil on millboard.
Read commentary →Still Life with Geranium - Henri Matisse
"Still Life with Geranium" by Henri Matisse (1906) Oil on canvas.
Read commentary →Woman before an Aquarium - Henri Matisse
"Woman before an Aquarium" by Henri Matisse (1921–23) Oil on canvas.
Read commentary →Standing Bather, Seen from the Back - Paul Cezanne
"Standing Bather, Seen from the Back" by Paul Cezanne (1879-82) Oil on canvas.
Read commentary →Auvers, Panoramic View - Paul Cezanne
"Auvers, Panoramic View" by Paul Cezanne (1873–75) Oil on canvas.
Read commentary →A Study for the Card Players - Paul Cezanne
"A Study for the Card Players" by Paul Cezanne (1890–92) Watercolor with graphite on beige wove paper.
Read commentary →Montagne Sainte-Victoire (The Arc Valley) - Paul Cezanne
"Montagne Sainte-Victoire (The Arc Valley)" by Paul Cezanne (c. 1885) Watercolor with graphite, heightened with opaque white watercolor, on cream wove paper.
Read commentary →Road in Provence - Paul Cezanne
"Road in Provence" by Paul Cezanne (c. 1885) Watercolor and graphite on tan wove paper.
Read commentary →Man Wearing a Straw Hat - Paul Cezanne
"Man Wearing a Straw Hat" by Paul Cezanne (1905/06) Watercolor with graphite on white wove paper.
Read commentary →The Three Skulls - Paul Cezanne
"The Three Skulls" by Paul Cezanne (1902/06) Watercolor, with graphite, on ivory wove paper.
Read commentary →Pistachio Tree at Château Noir - Paul Cezanne
"Pistachio Tree at Château Noir" by Paul Cezanne (c. 1900) Watercolor with graphite on cream wove paper, laid down on tan wove paper.
Read commentary →Portrait of a Young Boy with Blue Eyes - Jean-Baptiste Perronneau
"Portrait of a Young Boy with Blue Eyes" by Jean-Baptiste Perronneau (c. 1750) Pastel on blue laid paper, laid down on canvas.
Read commentary →Self-Portrait - Maurice Quentin de Latour
"Self-Portrait" by Maurice Quentin de Latour (c. 1737) Pastel on greenish-tan laid paper.
Read commentary →The Day of Judgment - William Blake
"The Day of Judgment" by William Blake (1805) Pen and gray and black inks and watercolor, with scraping, over graphite, on cream wove paper, laid down on tan board.
Read commentary →The Schooner Jane of Bath, Maine - William Bradford
"The Schooner Jane of Bath, Maine" by William Bradford (1857) Oil on canvas.
Read commentary →Mussooree and the Dhoon from Landour - Joseph Mallord William Turner
"Mussooree and the Dhoon from Landour" by Joseph Mallord William Turner (c. 1835) Watercolor and gouache, over graphite, on off-white wove paper, edge mounted on cream wove card.
Read commentary →Thomas Abthorpe Cooper (1776-1849) - Chester Harding
"Thomas Abthorpe Cooper (1776-1849)" by Chester Harding (c. 1822) Oil on canvas.
Read commentary →Boston Common - Artist unknown
"Boston Common" by Artist unknown (1850–63) Oil on canvas.
Read commentary →Woman in a Blue Dress - School of William Matthew Prior
"Woman in a Blue Dress" by School of William Matthew Prior (c. 1840) Oil on academy board.
Read commentary →The Sisters - George Inness
"The Sisters" by George Inness (1882) Oil on millboard.
Read commentary →New England Country Seat - Artist unknown
"New England Country Seat" by Artist unknown (1800–20) Oil on yellow poplar panel.
Read commentary →Near Newport - John Frederick Kensett
"Near Newport" by John Frederick Kensett (1869) Oil on canvas.
Read commentary →One Dollar Silver Certificate - Victor Dubreuil
"One Dollar Silver Certificate" by Victor Dubreuil (1898–1900) Oil on canvas.
Read commentary →Portrait of Fred Adelbert Haywood - School of William Matthew Prior
"Portrait of Fred Adelbert Haywood" by School of William Matthew Prior (February 16, 1848) Oil on panel.
Read commentary →After a Summer Shower - George Inness
"After a Summer Shower" by George Inness (1894) Oil on canvas.
Read commentary →The Old Mill - George Inness
"The Old Mill" by George Inness (1849) Oil on canvas.
Read commentary →Wooded Landscape with Village Scene - Thomas Gainsborough
"Wooded Landscape with Village Scene" by Thomas Gainsborough (early 1770s (not later than 1772)) Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.
Read commentary →Riders on Horseback in Woods - Unknown artist
"Riders on Horseback in Woods" by Unknown artist (18th century) Pastel, with touches of binder-rich media (possibly oil), on tan laid paper laid down on paperboard, framed.
Read commentary →Painting with Green Center - Vasily Kandinsky
"Painting with Green Center" by Vasily Kandinsky (1913) Oil on canvas.
Read commentary →Life-Size Black Bass - Winslow Homer
"Life-Size Black Bass" by Winslow Homer (1904) Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on thick, moderately textured (twill texture on verso), ivory wove paper (left, right and lower edges trimmed).
Read commentary →The Rapids, Hudson River, Adirondacks - Winslow Homer
"The Rapids, Hudson River, Adirondacks" by Winslow Homer (1894) Transparent watercolor, with traces of opaque watercolor, blotting, and scraping, over graphite, on thick, rough-textured, ivory wove paper.
Read commentary →Still Life—Strawberries, Nuts, &c. - Raphaelle Peale
"Still Life—Strawberries, Nuts, &c." by Raphaelle Peale (1822) Oil on wood panel.
Read commentary →Portrait of a Man in a Red Cap - German
"Portrait of a Man in a Red Cap" by German (c. 1480) Oil on panel.
Read commentary →Jacques and Berthe Lipchitz - Amedeo Modigliani
"Jacques and Berthe Lipchitz" by Amedeo Modigliani (1916) Oil on canvas.
Read commentary →The Sacred Grove, Beloved of the Arts and the Muses - Pierre Puvis de Chavannes
"The Sacred Grove, Beloved of the Arts and the Muses" by Pierre Puvis de Chavannes (1884–89) Oil on canvas.
Read commentary →The Vision of Saint Francis - Lodovico Carracci
"The Vision of Saint Francis" by Lodovico Carracci (c. 1602) Oil on copper.
Read commentary →York Harbor, Coast of Maine - Martin Johnson Heade
"York Harbor, Coast of Maine" by Martin Johnson Heade (1877) Oil on canvas.
Read commentary →View of Cotopaxi - Frederic Edwin Church
"View of Cotopaxi" by Frederic Edwin Church (1857) Oil on canvas.
Read commentary →The Captive Slave (Ira Aldridge) - John Philip Simpson
"The Captive Slave (Ira Aldridge)" by John Philip Simpson (1827) Oil on canvas.
Read commentary →The Nativity - Fra Bartolommeo
"The Nativity" by Fra Bartolommeo (1504–7) Oil on panel.
Read commentary →Life Study (Study of an Egyptian Girl) - John Singer Sargent
"Life Study (Study of an Egyptian Girl)" by John Singer Sargent (1891) Oil on canvas.
Read commentary →Portrait of General José Manuel Romero - Francisco José de Goya y Lucientes
"Portrait of General José Manuel Romero" by Francisco José de Goya y Lucientes (c. 1810) Oil on canvas.
Read commentary →Mrs. Potter Palmer - Anders Zorn
"Mrs. Potter Palmer" by Anders Zorn (1893) Oil on canvas.
Read commentary →Seventeenth-Century Interior - Charles Gifford Dyer
"Seventeenth-Century Interior" by Charles Gifford Dyer (1877) Oil on canvas.
Read commentary →Still Life with Ostrich Egg Cup and the Whitfield Heirlooms - Pieter Gerritsz. van Roestraeten
"Still Life with Ostrich Egg Cup and the Whitfield Heirlooms" by Pieter Gerritsz. van Roestraeten (c. 1670) Oil on canvas.
Read commentary →Major-General Henry Dearborn - Gilbert Stuart
"Major-General Henry Dearborn" by Gilbert Stuart (1812) Oil on mahogany panel.
Read commentary →Landscape: Window Overlooking the Woods - Édouard Jean Vuillard
"Landscape: Window Overlooking the Woods" by Édouard Jean Vuillard (1899) Oil on canvas.
Read commentary →Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver - John Singer Sargent
"Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver" by John Singer Sargent (c. 1879) Oil on canvas.
Read commentary →Kitchen Scene - Diego Velázquez
"Kitchen Scene" by Diego Velázquez (1618–20) Oil on canvas.
Read commentary →Amédée-David, the Comte de Pastoret - Jean Auguste Dominique Ingres
"Amédée-David, the Comte de Pastoret" by Jean Auguste Dominique Ingres (1823–26) Oil on canvas.
Read commentary →Ballet Dancers - Henri de Toulouse-Lautrec
"Ballet Dancers" by Henri de Toulouse-Lautrec (1885–86) Oil on plaster, transferred to canvas.
Read commentary →Mrs. Reuben Allerton (Lois Atherton) - Ammi Phillips
"Mrs. Reuben Allerton (Lois Atherton)" by Ammi Phillips (1821–22) Oil on canvas.
Read commentary →Cornelius Allerton - Ammi Phillips
"Cornelius Allerton" by Ammi Phillips (1821–22) Oil on canvas.
Read commentary →Ecce Agnus Dei - Giovanni di Paolo
"Ecce Agnus Dei" by Giovanni di Paolo (1455–60) Tempera on panel.
Read commentary →Cybele Stepping on a Serpent - Follower of Paolo Farinato
"Cybele Stepping on a Serpent" by Follower of Paolo Farinato (n.d.) Pen and brown ink with brush and brown wash, heightened with cream gouache, on blue laid paper, laid down on cream wove card.
Read commentary →Olivia Simes Morris - James Peale
"Olivia Simes Morris" by James Peale (1814) Oil on canvas.
Read commentary →The Return, Tynemouth (recto) Study (verso) - Winslow Homer
"The Return, Tynemouth (recto) Study (verso)" by Winslow Homer (1881) Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, moderately-textured, ivory wove paper (left and lower edges trimmed).
Read commentary →The Cock Fight - Winslow Homer
"The Cock Fight" by Winslow Homer (1885) Transparent and opaque watercolor, with traces of scraping, over graphite, on thick, moderately textured, cream wove paper (top and lower edges trimmed).
Read commentary →For to Be a Farmer's Boy - Winslow Homer
"For to Be a Farmer's Boy" by Winslow Homer (1887) Transparent and opaque watercolor, with rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on thick, rough-textured ivory wove paper (lower edge trimmed).
Read commentary →The Morning Bath - Hilaire Germain Edgar Degas
"The Morning Bath" by Hilaire Germain Edgar Degas (1887/90) Pastel on off-white laid paper mounted on board.
Read commentary →The Water Fan - Winslow Homer
"The Water Fan" by Winslow Homer (1898/99) Watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper.
Read commentary →Two Boys Watching Schooners - Winslow Homer
"Two Boys Watching Schooners" by Winslow Homer (1880) Watercolor, with graphite, on moderately thick, rough-textured, ivory wove paper.
Read commentary →The Lone Boat, North Woods Club, Adirondacks - Winslow Homer
"The Lone Boat, North Woods Club, Adirondacks" by Winslow Homer (1892) Watercolor, with rewetting, blotting, and scraping, over traces of graphite, on thick, rough-textured, ivory wove paper.
Read commentary →Mrs. Daniel Hubbard (Mary Greene) - John Singleton Copley
"Mrs. Daniel Hubbard (Mary Greene)" by John Singleton Copley (c. 1764) Oil on canvas.
Read commentary →Drawings of French Churches - Augustus Charles Pugin
"Drawings of French Churches" by Augustus Charles Pugin (1820s) Bound volume containting 83 watercolors.
Read commentary →Mme Lili Grenier (recto); Landscape with Church (verso) - Henri de Toulouse-Lautrec
"Mme Lili Grenier (recto); Landscape with Church (verso)" by Henri de Toulouse-Lautrec (1885/88) Oil paint, with graphite (recto), and oil paint with touches of black crayon varnished overall (verso), on gray cardboard.
Read commentary →Hermine David - Jules Pascin
"Hermine David" by Jules Pascin (1907) Oil on canvas.
Read commentary →The Holy Shroud of Besançon - Jean De Loisy
"The Holy Shroud of Besançon" by Jean De Loisy (1634) Engraving in black and yellowish brown, with hand additions in red gouache on cream, silk satin weave, folded.
Read commentary →Dr. Jonathan Potts (1745-1781) - Henry Benbridge
"Dr. Jonathan Potts (1745-1781)" by Henry Benbridge (1770–76) Oil on canvas.
Read commentary →A Holiday - Edward Henry Potthast
"A Holiday" by Edward Henry Potthast (c. 1915) Oil on canvas.
Read commentary →The Fire Eater Raised His Arms to the Thunder Bird - Frederic Remington
"The Fire Eater Raised His Arms to the Thunder Bird" by Frederic Remington (c. 1900) Oil on canvas.
Read commentary →Study for "An Aragonese Smuggler" - William Turner Dannat
"Study for "An Aragonese Smuggler"" by William Turner Dannat (1881) Oil on canvas.
Read commentary →Ceremony of the Fastest Horse - Frederic Remington
"Ceremony of the Fastest Horse" by Frederic Remington (c. 1900) Oil on canvas.
Read commentary →Nothing But Cheerful Looks Followed the Bat - Frederic Remington
"Nothing But Cheerful Looks Followed the Bat" by Frederic Remington (c. 1900) Oil on canvas.
Read commentary →Snow Field, Morning, Roxbury - John La Farge
"Snow Field, Morning, Roxbury" by John La Farge (1864) Oil on beveled mahogany panel.
Read commentary →Houses on the Fox River, Illinois - Artist unknown
"Houses on the Fox River, Illinois" by Artist unknown (1881–90) Oil on panel.
Read commentary →The Grey Bodice - Julian Alden Weir
"The Grey Bodice" by Julian Alden Weir (1898) Oil on canvas.
Read commentary →James William Wallack - Charles Robert Leslie
"James William Wallack" by Charles Robert Leslie (1835–40) Oil on canvas.
Read commentary →An Italian Comedy in Verona - Marco Marcola
"An Italian Comedy in Verona" by Marco Marcola (1772) Oil on canvas.
Read commentary →Panorama from the Sasso - Claude Lorrain
"Panorama from the Sasso" by Claude Lorrain (1649/1655) Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper.
Read commentary →Mrs. Charles Deering (Marion Denison Whipple) - John Singer Sargent
"Mrs. Charles Deering (Marion Denison Whipple)" by John Singer Sargent (1888) Oil on canvas.
Read commentary →Study of Two Bedouins - John Singer Sargent
"Study of Two Bedouins" by John Singer Sargent (1905–6) Oil on canvas.
Read commentary →Mrs. Charles Gifford Dyer (Mary Anthony) - John Singer Sargent
"Mrs. Charles Gifford Dyer (Mary Anthony)" by John Singer Sargent (1880) Oil on canvas.
Read commentary →Oil Sketch for "A Sunday on La Grande Jatte — 1884" - Georges Seurat
"Oil Sketch for "A Sunday on La Grande Jatte — 1884"" by Georges Seurat (1884) Oil on panel.
Read commentary →Water Carriers on the Nile - John Singer Sargent
"Water Carriers on the Nile" by John Singer Sargent (1891) Oil on canvas.
Read commentary →An Artist at His Easel - John Singer Sargent
"An Artist at His Easel" by John Singer Sargent (1914) Watercolor over traces of graphite on ivory wove paper.
Read commentary →Workmen at Carrara - John Singer Sargent
"Workmen at Carrara" by John Singer Sargent (1911) Watercolor with touches of opaque watercolor and scraping over graphite on ivory wove paper.
Read commentary →Woodsheds, Tyrol - John Singer Sargent
"Woodsheds, Tyrol" by John Singer Sargent (1914) Watercolor with scraping and wax resist over graphite on ivory wove paper.
Read commentary →Olive Trees, Corfu - John Singer Sargent
"Olive Trees, Corfu" by John Singer Sargent (1909) Watercolor and opaque watercolor with scraping and wax resist over graphite on ivory wove paper.
Read commentary →The Man with the Dog - Édouard Manet
"The Man with the Dog" by Édouard Manet (c. 1882) Pastel on canvas, prepared with an off-white gouache ground.
Read commentary →Sketches of Marine Scenes (recto); Two Sketches: Beside Stormy Coast, Cloudy Seascape - Édouard Manet
"Sketches of Marine Scenes (recto); Two Sketches: Beside Stormy Coast, Cloudy Seascape" by Édouard Manet (1852/83 (recto); c. 1871 (verso)) Watercolor and graphite (recto), and watercolor with traces of graphite, heightened with touches of white gouache (verso), on off-white wove paper.
Read commentary →Portrait of Alphonse Maureau - Édouard Manet
"Portrait of Alphonse Maureau" by Édouard Manet (1878/79) Pastel on canvas, prepared with an off-white ground.
Read commentary →Portrait of Berthe Morisot with a Fan - Édouard Manet
"Portrait of Berthe Morisot with a Fan" by Édouard Manet (1874) Watercolor over traces of graphite on cream wove paper.
Read commentary →Sketches of Snails, Flowering Plant - Édouard Manet
"Sketches of Snails, Flowering Plant" by Édouard Manet (1864/68) Watercolor over graphite pencil on cream laid paper.
Read commentary →Head of a Tahitian Woman - Paul Gauguin
"Head of a Tahitian Woman" by Paul Gauguin (1891/93, with later additions 1894/95) Pen and brush and black ink, with green, blue, yellow and white gouache, over pen and brown ink and touches of graphite, on parchment.
Read commentary →At the Circus Fernando: Medrano with a Piglet - Henri de Toulouse-Lautrec
"At the Circus Fernando: Medrano with a Piglet" by Henri de Toulouse-Lautrec (c. 1889) Oil on paper laid down on board.
Read commentary →La Macarona in the Costume of a Jockey - Henri de Toulouse-Lautrec
"La Macarona in the Costume of a Jockey" by Henri de Toulouse-Lautrec (1893) Oil paint and watercolor, over charcoal, on tan wove tracing paper, laid down on cream woodpulp card.
Read commentary →May Milton - Henri de Toulouse-Lautrec
"May Milton" by Henri de Toulouse-Lautrec (1895) Oil and pastel on cardboard.
Read commentary →The Promenade des Anglais in Nice - Henri de Toulouse-Lautrec
"The Promenade des Anglais in Nice" by Henri de Toulouse-Lautrec (1879/1881) Watercolor, with touches of gouache, and graphite, on ivory wove paper.
Read commentary →Portrait of Jeanne Wenz - Henri de Toulouse-Lautrec
"Portrait of Jeanne Wenz" by Henri de Toulouse-Lautrec (1886) Oil on canvas.
Read commentary →At the Circus: Work in the Ring - Henri de Toulouse-Lautrec
"At the Circus: Work in the Ring" by Henri de Toulouse-Lautrec (1899) Charcoal, pastel, and black chalk, with stumping, touches of colored pencil, and incising, on off-white wove paper.
Read commentary →Double harness - Henri de Toulouse-Lautrec
"Double harness" by Henri de Toulouse-Lautrec (1897) Lithograph touched with watercolor on cream wove paper.
Read commentary →Study - Henri de Toulouse-Lautrec
"Study" by Henri de Toulouse-Lautrec (1895) Brush and black ink, with black Conté crayon, heightened with touches of white gouache, on tan tracing paper, laid down on ivory wove paper.
Read commentary →Studies of Pierre Renoir; His Mother, Aline Charigot; Nudes; and Landscape - Pierre-Auguste Renoir
"Studies of Pierre Renoir; His Mother, Aline Charigot; Nudes; and Landscape" by Pierre-Auguste Renoir (1885–86) Oil on canvas.
Read commentary →The White Bridge - John Henry Twachtman
"The White Bridge" by John Henry Twachtman (after 1895) Oil on canvas.
Read commentary →Saint Martin and the Beggar - Domenico Theotokópoulos, called El Greco
"Saint Martin and the Beggar" by Domenico Theotokópoulos, called El Greco (c. 1597–c. 1600) Oil on canvas.
Read commentary →Arcadian Landscape with Figures - Alessandro Magnasco
"Arcadian Landscape with Figures" by Alessandro Magnasco (c. 1700) Oil on canvas.
Read commentary →The Witch - Circle of Alessandro Magnasco
"The Witch" by Circle of Alessandro Magnasco (1700–1725) Oil on panel.
Read commentary →Monks at Supper - Alessandro Magnasco
"Monks at Supper" by Alessandro Magnasco (c. 1720) Oil on canvas.
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