American Art
Art from North American traditions and artists
Sun Rays—Paula, Berlin - Alfred Stieglitz
"Sun Rays—Paula, Berlin" by Alfred Stieglitz (1889, printed 1920/39) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1926) Gelatin silver print.
Read commentary →The Artist in His Studio - James McNeill Whistler
"The Artist in His Studio" by James McNeill Whistler (1865–66) Oil on paper mounted on panel.
Read commentary →Machinist's Apprentice - Emma Stebbins
"Machinist's Apprentice" by Emma Stebbins (c. 1859) Marble.
Read commentary →Tarragona Terrace and Garden - John Singer Sargent
"Tarragona Terrace and Garden" by John Singer Sargent (c. 1908) Watercolor and opaque watercolor with printed paper fragments over traces of graphite on ivory wove paper.
Read commentary →Mrs. George Swinton (Elizabeth Ebsworth) - John Singer Sargent
"Mrs. George Swinton (Elizabeth Ebsworth)" by John Singer Sargent (1897) Oil on canvas.
Read commentary →For Sunday's Dinner - William Michael Harnett
"For Sunday's Dinner" by William Michael Harnett (1888) Oil on canvas.
Read commentary →Rack Picture for Dr. Nones - William A. Mitchell
"Rack Picture for Dr. Nones" by William A. Mitchell (1879) Oil on canvas.
Read commentary →The Fates Gathering in the Stars - Elihu Vedder
"The Fates Gathering in the Stars" by Elihu Vedder (1887) Oil on canvas.
Read commentary →Icebound - John Henry Twachtman
"Icebound" by John Henry Twachtman (c. 1889) Oil on canvas.
Read commentary →William Bonham - William Bonnell
"William Bonham" by William Bonnell (March 4, 1825) Oil on panel.
Read commentary →J. Ellis Bonham - William Bonnell
"J. Ellis Bonham" by William Bonnell (March 5, 1825) Oil on panel.
Read commentary →Abraham Lincoln - Daniel Chester French
"Abraham Lincoln" by Daniel Chester French (Modeled 1916, cast after 1916) Bronze.
Read commentary →General Andrew Jackson - William Rush
"General Andrew Jackson" by William Rush (1819) Terracotta.
Read commentary →Brooklyn Bridge - Henry Ward Ranger
"Brooklyn Bridge" by Henry Ward Ranger (1899) Oil on canvas.
Read commentary →The Child's Bath - Mary Cassatt
"The Child's Bath" by Mary Cassatt (1893) Oil on canvas.
Read commentary →The Herring Net - Winslow Homer
"The Herring Net" by Winslow Homer (1885) Oil on canvas.
Read commentary →The Irish Question - De Scott Evans
"The Irish Question" by De Scott Evans (1880s) Oil on canvas.
Read commentary →Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan - Joshua Johnson
"Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan" by Joshua Johnson (c. 1805) Oil on canvas.
Read commentary →The Freedman - John Quincy Adams Ward
"The Freedman" by John Quincy Adams Ward (Modeled 1862–63) Bronze.
Read commentary →Zenobia, Queen of Palmyra - Harriet Hosmer
"Zenobia, Queen of Palmyra" by Harriet Hosmer (modeled c. 1859; carved after 1859) Marble.
Read commentary →Distant View of Niagara Falls - Thomas Cole
"Distant View of Niagara Falls" by Thomas Cole (1830) Oil on wood panel.
Read commentary →Tombeau de la chrétienne. Vue du côté nord. (Tomb of the Christian Woman. View of the North Side.) - John Beasley Greene
"Tombeau de la chrétienne. Vue du côté nord. (Tomb of the Christian Woman. View of the North Side.)" by John Beasley Greene (1855) Albumen print.
Read commentary →Medinet Habu, Mortuary Temple of Ramses III, Left Wall (Médinet-Habou, Temple funéraire de Ramsès III, paroi gauche - John Beasley Greene
"Medinet Habu, Mortuary Temple of Ramses III, Left Wall (Médinet-Habou, Temple funéraire de Ramsès III, paroi gauche" by John Beasley Greene (1854) Salted paper print.
Read commentary →Untitled [Roman sculptures, Cherchell Museum] - John Beasley Greene
"Untitled [Roman sculptures, Cherchell Museum]" by John Beasley Greene (1856) Salted paper print.
Read commentary →Working a little bunch in the hills - Laton Alton Huffman
"Working a little bunch in the hills" by Laton Alton Huffman (c. 1900) Gelatin silver (printing-out-paper) print.
Read commentary →Mountain Brook - Albert Bierstadt
"Mountain Brook" by Albert Bierstadt (1863) Oil on canvas.
Read commentary →Boats at Rest - Arthur Wesley Dow
"Boats at Rest" by Arthur Wesley Dow (c. 1895) Oil on canvas.
Read commentary →In the Café - Fernand Lungren
"In the Café" by Fernand Lungren (1882–84) Oil on canvas.
Read commentary →Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy - James McNeill Whistler
"Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy" by James McNeill Whistler (1894) Oil on canvas.
Read commentary →Hussar (recto) Man with a Top Hat and Bandaged Head (verso) - James McNeill Whistler
"Hussar (recto) Man with a Top Hat and Bandaged Head (verso)" by James McNeill Whistler (1854/55) Pen and black ink over graphite (recto), and graphite (verso), on cream wove paper.
Read commentary →Lancer - James McNeill Whistler
"Lancer" by James McNeill Whistler (1854/55) Pen and black ink over graphite on cream wove paper.
Read commentary →Gendarme - James McNeill Whistler
"Gendarme" by James McNeill Whistler (1854/55) Pen and black ink over graphite on cream wove paper.
Read commentary →Policeman and Citizen - James McNeill Whistler
"Policeman and Citizen" by James McNeill Whistler (1854/55) Pen and black ink over graphite on cream wove paper.
Read commentary →Scene from Bohemian Life - James McNeill Whistler
"Scene from Bohemian Life" by James McNeill Whistler (1855/57) Pen and black ink and black watercolor over graphite, with touches of white opaque paint (discolored), on tan laid paper laid down on cream board.
Read commentary →Grey and Silver: Old Battersea Reach - James McNeill Whistler
"Grey and Silver: Old Battersea Reach" by James McNeill Whistler (1863) Oil on canvas.
Read commentary →Trouville (Grey and Green, the Silver Sea) - James McNeill Whistler
"Trouville (Grey and Green, the Silver Sea)" by James McNeill Whistler (1865) Oil on canvas.
Read commentary →Two Sketches - James McNeill Whistler
"Two Sketches" by James McNeill Whistler (1878/79) Lithographic crayon and brush and tusche on coarse-grained transfer paper.
Read commentary →Portrait of Dr. William McNeill Whistler - James McNeill Whistler
"Portrait of Dr. William McNeill Whistler" by James McNeill Whistler (1871–73) Oil on panel.
Read commentary →Nocturne: Blue and Gold—Southampton Water - James McNeill Whistler
"Nocturne: Blue and Gold—Southampton Water" by James McNeill Whistler (1872) Oil on canvas.
Read commentary →Figures by a Railing - James McNeill Whistler
"Figures by a Railing" by James McNeill Whistler (1870/73) Pen and brown ink on blue laid paper (discolored).
Read commentary →Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" - James McNeill Whistler
"Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"" by James McNeill Whistler (1872–73) Oil on canvas.
Read commentary →Corte del Paradiso - James McNeill Whistler
"Corte del Paradiso" by James McNeill Whistler (1880) Pastel and black chalk on brown wove paper with fibrous inclusions.
Read commentary →The Little Blue Cap - James McNeill Whistler
"The Little Blue Cap" by James McNeill Whistler (1893/95) Watercolor and opaque watercolor over charcoal on brown wove paper.
Read commentary →Portrait of Miss Maud Franklin - James McNeill Whistler
"Portrait of Miss Maud Franklin" by James McNeill Whistler (1883/1888) Pen and brown ink on cream laid paper.
Read commentary →Violet and Silver—The Deep Sea - James McNeill Whistler
"Violet and Silver—The Deep Sea" by James McNeill Whistler (1893) Oil on canvas.
Read commentary →H.C. Pollitt - James McNeill Whistler
"H.C. Pollitt" by James McNeill Whistler (1896) Lithographic crayon on thin, transparent transfer paper, tipped onto card (modern mount).
Read commentary →Reclining Draped Figure - James McNeill Whistler
"Reclining Draped Figure" by James McNeill Whistler (1893) Lithographic crayon, with traces of scraping and stumping, on fine-grained transfer paper laid down on cream wove paper.
Read commentary →Study of a Girl's Head and Shoulders - James McNeill Whistler
"Study of a Girl's Head and Shoulders" by James McNeill Whistler (1896–97) Oil on panel.
Read commentary →Coast Scene, Bathers - James McNeill Whistler
"Coast Scene, Bathers" by James McNeill Whistler (1884–85) Oil on panel.
Read commentary →Chelsea Shop - James McNeill Whistler
"Chelsea Shop" by James McNeill Whistler (1897/1900) Watercolor with touches of opaque watercolor on cream wove paper.
Read commentary →Butterfly (recto); Study of Butterfly (verso) - James McNeill Whistler
"Butterfly (recto); Study of Butterfly (verso)" by James McNeill Whistler (1898/99) Pen and black ink over graphite (recto), and pen and black ink, with corrections by the artist in white opaque paint (verso), on cream wove card.
Read commentary →Butterfly "Encountered" (recto); Sketch for Tailpiece (verso) - James McNeill Whistler
"Butterfly "Encountered" (recto); Sketch for Tailpiece (verso)" by James McNeill Whistler (1898/99) Pen and black ink over graphite (recto), and graphite (verso), on cream wove card.
Read commentary →Butterfly - James McNeill Whistler
"Butterfly" by James McNeill Whistler (1898/99) Pen and black ink on cream wove card.
Read commentary →Butterfly with Checkered Wings - James McNeill Whistler
"Butterfly with Checkered Wings" by James McNeill Whistler (1898/99) Pen and black ink on cream wove card.
Read commentary →A Club on a Cushion - James McNeill Whistler
"A Club on a Cushion" by James McNeill Whistler (1898/99) Pen and black ink over graphite, with corrections by the artist in white opaque paint, on cream wove card.
Read commentary →Butterfly - James McNeill Whistler
"Butterfly" by James McNeill Whistler (1898/99) Pen and black ink on cream wove card.
Read commentary →Butterfly (recto); Fragment of Butterfly (verso) - James McNeill Whistler
"Butterfly (recto); Fragment of Butterfly (verso)" by James McNeill Whistler (1898/99) Pen and black ink over graphite (recto), and brush and black ink over graphite (verso), on cream wove card.
Read commentary →Butterfly (recto); Fragment of Butterfly (verso) - James McNeill Whistler
"Butterfly (recto); Fragment of Butterfly (verso)" by James McNeill Whistler (1898/99) Pen and black ink over graphite (recto), and pen and black ink over graphite, with corrections by the artist in white opaque paint (verso), on cream wove card.
Read commentary →Study for "Arrangement in Black, No. 2: Portrait of Mrs. Louis Huth" (recto); Study for "Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland" (verso) - James McNeill Whistler
"Study for "Arrangement in Black, No. 2: Portrait of Mrs. Louis Huth" (recto); Study for "Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland" (verso)" by James McNeill Whistler (c. 1872) Pastel (recto), and black chalk with touches of pink and white pastel (verso), on brown wove paper.
Read commentary →Study for "The Blue Girl: Portrait of Miss Elinor Leyland" - James McNeill Whistler
"Study for "The Blue Girl: Portrait of Miss Elinor Leyland"" by James McNeill Whistler (c. 1879) Pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.
Read commentary →Head of a Girl - James McNeill Whistler
"Head of a Girl" by James McNeill Whistler (c. 1882) Pen and brown ink with scraping on cream laid paper laid down on ivory board.
Read commentary →Sketch after "Arrangement in Black: Lady Meux" - James McNeill Whistler
"Sketch after "Arrangement in Black: Lady Meux"" by James McNeill Whistler (c. 1881) Pen and brown ink on cream wove paper laid down on ivory board.
Read commentary →Green and Blue: The Dancer - James McNeill Whistler
"Green and Blue: The Dancer" by James McNeill Whistler (c. 1893) Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card.
Read commentary →Girl Reading in Bed - James McNeill Whistler
"Girl Reading in Bed" by James McNeill Whistler (c. 1882) Pen and brown ink with traces of graphite on pink wove paper.
Read commentary →Study - James McNeill Whistler
"Study" by James McNeill Whistler (1878) Lithograph in black ink with scraping and roulette work on ivory chine laid down on off-white plate paper.
Read commentary →Study - James McNeill Whistler
"Study" by James McNeill Whistler (1878) Lithograph in black ink with scraping on tan wove paper.
Read commentary →The Fan - James McNeill Whistler
"The Fan" by James McNeill Whistler (1879) Transfer lithograph in black ink on ivory plate paper.
Read commentary →Victoria Club - James McNeill Whistler
"Victoria Club" by James McNeill Whistler (1879/87) Transfer lithograph in black ink with scraping, on ivory laid paper.
Read commentary →Gaiety Stage Door - James McNeill Whistler
"Gaiety Stage Door" by James McNeill Whistler (1879/87) Transfer lithograph in black ink with scraping, on ivory laid paper.
Read commentary →Victoria Club - James McNeill Whistler
"Victoria Club" by James McNeill Whistler (1879/87) Transfer lithograph in black with scraping, on cream chine laid down on ivory plate paper.
Read commentary →Reading - James McNeill Whistler
"Reading" by James McNeill Whistler (1879, published 1887) Lithograph, in black ink, with stumping, on ivory wove paper.
Read commentary →Reading - James McNeill Whistler
"Reading" by James McNeill Whistler (1879/87) Lithograph, in black ink, with stumping, on cream chine, laid down on ivory plate paper.
Read commentary →Reading - James McNeill Whistler
"Reading" by James McNeill Whistler (1879/87) Lithograph, in black ink, with scraping, on ivory Japanese paper.
Read commentary →Old Battersea Bridge - James McNeill Whistler
"Old Battersea Bridge" by James McNeill Whistler (1879/87) Lithograph, in black ink, with scraping, on tan laid paper.
Read commentary →Study - James McNeill Whistler
"Study" by James McNeill Whistler (1879) Lithograph, in black ink, on a prepared half-tint ground, with scraping, on ivory plate paper.
Read commentary →Entrance Gate - James McNeill Whistler
"Entrance Gate" by James McNeill Whistler (1887) Transfer lithograph in black on ivory wove paper.
Read commentary →Old Battersea Bridge - James McNeill Whistler
"Old Battersea Bridge" by James McNeill Whistler (1879, published 1887) Lithograph, in black ink, with scraping, on white plate paper.
Read commentary →Old Battersea Bridge - James McNeill Whistler
"Old Battersea Bridge" by James McNeill Whistler (1879/87) Lithograph, in black ink, with scraping, on cream chine, laid down on ivory plate paper.
Read commentary →Drury Lane Rags - James McNeill Whistler
"Drury Lane Rags" by James McNeill Whistler (1888) Transfer lithograph in black on ivory laid paper.
Read commentary →Chelsea Shops - James McNeill Whistler
"Chelsea Shops" by James McNeill Whistler (1888) Transfer lithograph in black ink on ivory laid paper.
Read commentary →Lindsey Row, Chelsea - James McNeill Whistler
"Lindsey Row, Chelsea" by James McNeill Whistler (1888) Transfer lithograph in black on ivory laid paper.
Read commentary →Little Court, Cloth Fair - James McNeill Whistler
"Little Court, Cloth Fair" by James McNeill Whistler (1887) Transfer lithograph in black on ivory laid paper.
Read commentary →Churchyard - James McNeill Whistler
"Churchyard" by James McNeill Whistler (1887) Transfer lithograph in black on cream laid paper.
Read commentary →Drury Lane Rags - James McNeill Whistler
"Drury Lane Rags" by James McNeill Whistler (1888) Transfer lithograph in black on grayish ivory wove proofing paper.
Read commentary →The Horoscope - James McNeill Whistler
"The Horoscope" by James McNeill Whistler (probably 1889) Transfer lithograph in black on cream Japanese paper.
Read commentary →The Novel: Girl Reading - James McNeill Whistler
"The Novel: Girl Reading" by James McNeill Whistler (probably 1889) Transfer lithograph in black on cream laid paper.
Read commentary →The Dancing Girl - James McNeill Whistler
"The Dancing Girl" by James McNeill Whistler (1889) Transfer lithograph in black on cream chine, laid down on ivory plate paper.
Read commentary →The Farriers - James McNeill Whistler
"The Farriers" by James McNeill Whistler (1888) Transfer lithograph in black on cream wove proofing paper.
Read commentary →Courtyard, Chelsea Hospital - James McNeill Whistler
"Courtyard, Chelsea Hospital" by James McNeill Whistler (1888) Lithograph, in black ink, with stumping, on cream wove paper.
Read commentary →Chelsea Rags - James McNeill Whistler
"Chelsea Rags" by James McNeill Whistler (1888) Transfer lithograph in black on tan laid paper.
Read commentary →The Dancing Girl - James McNeill Whistler
"The Dancing Girl" by James McNeill Whistler (1889) Transfer lithograph in black on ivory laid paper.
Read commentary →The Little Nude Model, Reading - James McNeill Whistler
"The Little Nude Model, Reading" by James McNeill Whistler (1889/90) Transfer lithograph in black on ivory laid paper.
Read commentary →Model Draping - James McNeill Whistler
"Model Draping" by James McNeill Whistler (c. 1889) Transfer lithograph in black on cream laid paper.
Read commentary →The Winged Hat - James McNeill Whistler
"The Winged Hat" by James McNeill Whistler (1890) Transfer lithograph in black with scraping, on ivory wove paper.
Read commentary →Maunder's Fish Shop, Chelsea - James McNeill Whistler
"Maunder's Fish Shop, Chelsea" by James McNeill Whistler (1890) Transfer lithograph in black on cream laid paper.
Read commentary →The Tyresmith - James McNeill Whistler
"The Tyresmith" by James McNeill Whistler (1890) Transfer lithograph in black on grayish ivory laid paper.
Read commentary →Figure Study in Colors - James McNeill Whistler
"Figure Study in Colors" by James McNeill Whistler (1890) Transfer lithograph from four stones on ivory wove proofing paper.
Read commentary →The Garden - James McNeill Whistler
"The Garden" by James McNeill Whistler (1891) Transfer lithograph in black on ivory laid paper.
Read commentary →Gatti's - James McNeill Whistler
"Gatti's" by James McNeill Whistler (1890) Transfer lithograph in black on ivory laid paper.
Read commentary →Suede Gloves - James McNeill Whistler
"Suede Gloves" by James McNeill Whistler (1890) Transfer lithograph in black on cream laid paper.
Read commentary →The Winged Hat - James McNeill Whistler
"The Winged Hat" by James McNeill Whistler (1890) Transfer lithograph in black with scraping, on ivory wove paper.
Read commentary →Cocks and Hens, Hôtel Colbert - James McNeill Whistler
"Cocks and Hens, Hôtel Colbert" by James McNeill Whistler (1891) Transfer lithograph in black on ivory wove paper.
Read commentary →Hôtel Colbert, Windows - James McNeill Whistler
"Hôtel Colbert, Windows" by James McNeill Whistler (1891) Transfer lithograph in black on ivory laid paper.
Read commentary →Grand Rue, Dieppe - James McNeill Whistler
"Grand Rue, Dieppe" by James McNeill Whistler (c. 1891, printed 1904) Transfer lithograph in black on ivory Japanese paper.
Read commentary →Two Trial Sketches: A. Grand Rue, Dieppe; B. An Interior - James McNeill Whistler
"Two Trial Sketches: A. Grand Rue, Dieppe; B. An Interior" by James McNeill Whistler (c. 1891, printed 1904) Transfer lithograph in black on ivory wove paper.
Read commentary →Nude Model, Standing - James McNeill Whistler
"Nude Model, Standing" by James McNeill Whistler (c. 1891) Transfer lithograph in black on cream Japanese gampi paper.
Read commentary →La Danseuse: A Study of the Nude - James McNeill Whistler
"La Danseuse: A Study of the Nude" by James McNeill Whistler (c. 1891) Transfer lithograph in black on cream Japanese gampi paper.
Read commentary →Staircase - James McNeill Whistler
"Staircase" by James McNeill Whistler (1891) Transfer lithograph in black on grayish white chine, laid down on ivory plate paper.
Read commentary →Draped Figure, Standing - James McNeill Whistler
"Draped Figure, Standing" by James McNeill Whistler (1891) Transfer lithograph in dark gray on cream Japanese paper.
Read commentary →Draped Figure, Standing - James McNeill Whistler
"Draped Figure, Standing" by James McNeill Whistler (1891) Lithograph, from thin, transparent paper, from four stones, red-orange and brown (keystone), orange, and ochre inks, on ivory laid paper.
Read commentary →Mother and Child, No. 3 - James McNeill Whistler
"Mother and Child, No. 3" by James McNeill Whistler (1891/95) Transfer lithograph in black on cream Japanese paper.
Read commentary →Mother and Child, No. 2 - James McNeill Whistler
"Mother and Child, No. 2" by James McNeill Whistler (1891/95) Transfer lithograph in black on cream laid paper.
Read commentary →Mother and Child, No. 1 - James McNeill Whistler
"Mother and Child, No. 1" by James McNeill Whistler (1891, printed 1895) Transfer lithograph, with scraping and stumping, in black on cream laid paper.
Read commentary →Stephane Mallarmé, No. 2 - James McNeill Whistler
"Stephane Mallarmé, No. 2" by James McNeill Whistler (1892) Transfer lithograph in black with scraping, on cream laid paper.
Read commentary →Portrait Study: Miss Charlotte R. Williams - James McNeill Whistler
"Portrait Study: Miss Charlotte R. Williams" by James McNeill Whistler (1892) Transfer lithograph in black on cream laid paper.
Read commentary →Mother and Child, No. 4 - James McNeill Whistler
"Mother and Child, No. 4" by James McNeill Whistler (1891, printed 1895) Transfer lithograph in black on ivory Japanese paper.
Read commentary →Stéphane Mallarmé - James McNeill Whistler
"Stéphane Mallarmé" by James McNeill Whistler (1892) Transfer lithograph in gray-black on ivory laid paper.
Read commentary →Draped Figure, Reclining - James McNeill Whistler
"Draped Figure, Reclining" by James McNeill Whistler (1892) Transfer lithograph from five stones, in black (keystone), blue-green, olive green, yellow-green, yellow, purple-brown, pale ochre, orange-red, and rose on ivory wove paper.
Read commentary →The Fireplace - James McNeill Whistler
"The Fireplace" by James McNeill Whistler (1893) Transfer lithograph in black on ivory wove proofing paper.
Read commentary →Stéphane Mallarmé - James McNeill Whistler
"Stéphane Mallarmé" by James McNeill Whistler (1892, published 1893) Transfer lithograph in gray-black on grayish ivory wove paper, laid down on off-white plate paper (chine collé).
Read commentary →Gabled Roofs - James McNeill Whistler
"Gabled Roofs" by James McNeill Whistler (1893) Transfer lithograph in black with stumping, on cream laid paper.
Read commentary →The Marketplace, Vitré - James McNeill Whistler
"The Marketplace, Vitré" by James McNeill Whistler (1893) Transfer lithograph in black on ivory laid paper.
Read commentary →Vitré: The Canal - James McNeill Whistler
"Vitré: The Canal" by James McNeill Whistler (1893) Transfer lithograph in black with stumping, on cream laid paper.
Read commentary →Red House, Paimpol - James McNeill Whistler
"Red House, Paimpol" by James McNeill Whistler (1893) Transfer lithograph from three stones, in black (keystone), red, and gray inks, with scraping, on cream wove Japanese vellum.
Read commentary →The Clock-Makers, Paimpol - James McNeill Whistler
"The Clock-Makers, Paimpol" by James McNeill Whistler (1893) Transfer lithograph in black on cream laid paper.
Read commentary →Yellow House, Lannion - James McNeill Whistler
"Yellow House, Lannion" by James McNeill Whistler (1893) Transfer lithograph with scraping, from five stones, in black (keystone), green, yellow, gray, and medium gray, on cream Japanese paper.
Read commentary →Yellow House, Lannion - James McNeill Whistler
"Yellow House, Lannion" by James McNeill Whistler (1893) Transfer lithograph, with scraping, from six stones in black (keystone), greenish gray, brown, green, yellow, and gray on ivory laid paper.
Read commentary →Nude Model, Reclining - James McNeill Whistler
"Nude Model, Reclining" by James McNeill Whistler (1893) Transfer lithograph in black ink with stumping, on ivory laid paper.
Read commentary →Conversation under the Statue, Luxembourg Gardens - James McNeill Whistler
"Conversation under the Statue, Luxembourg Gardens" by James McNeill Whistler (1893) Transfer lithograph in black with stumping, on ivory laid paper.
Read commentary →The Steps, Luxembourg - James McNeill Whistler
"The Steps, Luxembourg" by James McNeill Whistler (1893) Transfer lithograph in black with stumping, on tan laid paper.
Read commentary →The Pantheon, from the Terrace of the Luxembourg Gardens - James McNeill Whistler
"The Pantheon, from the Terrace of the Luxembourg Gardens" by James McNeill Whistler (1893) Transfer lithograph in black with stumping, on cream laid paper.
Read commentary →Conversation under the Statue, Luxembourg Gardens - James McNeill Whistler
"Conversation under the Statue, Luxembourg Gardens" by James McNeill Whistler (1893) Transfer lithograph in black with stumping, on ivory laid paper.
Read commentary →The Draped Figure, Seated - James McNeill Whistler
"The Draped Figure, Seated" by James McNeill Whistler (1893) Transfer lithograph in black with stumping, on cream laid paper.
Read commentary →The Draped Figure, Back View - James McNeill Whistler
"The Draped Figure, Back View" by James McNeill Whistler (1893) Lithograph, in black ink, on ivory laid paper.
Read commentary →Little Draped Figure, Leaning - James McNeill Whistler
"Little Draped Figure, Leaning" by James McNeill Whistler (1893) Transfer lithograph in black on cream laid Japanese vellum.
Read commentary →Nursemaids: "Les Bonnes du Luxembourg" - James McNeill Whistler
"Nursemaids: "Les Bonnes du Luxembourg"" by James McNeill Whistler (1894) Transfer lithograph in black on cream laid paper.
Read commentary →A Lady Seated - James McNeill Whistler
"A Lady Seated" by James McNeill Whistler (1893) Lithograph, in black ink, with scraping and touches of brush and tusche, on grayish ivory China paper.
Read commentary →The Garden Porch - James McNeill Whistler
"The Garden Porch" by James McNeill Whistler (1894) Transfer lithograph in black on ivory laid proofing paper.
Read commentary →The Long Gallery, Louvre - James McNeill Whistler
"The Long Gallery, Louvre" by James McNeill Whistler (1894) Transfer lithograph in black with stumping, on cream wove paper.
Read commentary →The Little Balcony - James McNeill Whistler
"The Little Balcony" by James McNeill Whistler (1894) Transfer lithograph in black on cream laid Japanese vellum.
Read commentary →The Terrace, Luxembourg - James McNeill Whistler
"The Terrace, Luxembourg" by James McNeill Whistler (1894) Transfer lithograph in black with stumping, on cream laid Japanese vellum.
Read commentary →The Long Balcony - James McNeill Whistler
"The Long Balcony" by James McNeill Whistler (1894) Transfer lithograph in black on ivory laid paper.
Read commentary →Count Robert de Montesquiou, No. 2 - James McNeill Whistler
"Count Robert de Montesquiou, No. 2" by James McNeill Whistler (1894) Transfer lithograph in black with scraping, on grayish ivory China paper.
Read commentary →The Man with a Sickle - James McNeill Whistler
"The Man with a Sickle" by James McNeill Whistler (1894) Transfer lithograph in black on cream wove Japanese vellum.
Read commentary →Tête-à-tête in the garden - James McNeill Whistler
"Tête-à-tête in the garden" by James McNeill Whistler (1894) Transfer lithograph in black on cream laid Japanese vellum.
Read commentary →The Duet, No. 2 - James McNeill Whistler
"The Duet, No. 2" by James McNeill Whistler (1894) Transfer lithograph in black on grayish ivory China paper.
Read commentary →La Belle Dame paresseuse - James McNeill Whistler
"La Belle Dame paresseuse" by James McNeill Whistler (1894) Lithograph from thin transparent transfer paper, in black ink, on cream wove Japanese vellum.
Read commentary →La Jolie New Yorkaise - James McNeill Whistler
"La Jolie New Yorkaise" by James McNeill Whistler (1894) Transfer lithograph in black on ivory laid paper.
Read commentary →Rue Furstenburg - James McNeill Whistler
"Rue Furstenburg" by James McNeill Whistler (1894) Transfer lithograph in black on ivory laid paper.
Read commentary →The Laundress: "La Blanchisseuse de la place Dauphine" - James McNeill Whistler
"The Laundress: "La Blanchisseuse de la place Dauphine"" by James McNeill Whistler (1894) Transfer lithograph in black on ivory laid paper.
Read commentary →Late Picquet - James McNeill Whistler
"Late Picquet" by James McNeill Whistler (1894) Transfer lithograph in black on ivory laid paper.
Read commentary →The Little Café au Bois - James McNeill Whistler
"The Little Café au Bois" by James McNeill Whistler (1894) Transfer lithograph in black on cream Japanese proofing paper.
Read commentary →The Whitesmiths, Impasse des Carmélites - James McNeill Whistler
"The Whitesmiths, Impasse des Carmélites" by James McNeill Whistler (1894) Transfer lithograph in black with stumping, on cream laid paper.
Read commentary →The Forge, Passage du Dragon - James McNeill Whistler
"The Forge, Passage du Dragon" by James McNeill Whistler (1894) Transfer lithograph in black with stumping, on cream laid paper.
Read commentary →La Belle Jardinière - James McNeill Whistler
"La Belle Jardinière" by James McNeill Whistler (1894) Transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.
Read commentary →The Smith, Passage du Dragon - James McNeill Whistler
"The Smith, Passage du Dragon" by James McNeill Whistler (1894) Transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper.
Read commentary →The Forge, Passage du Dragon - James McNeill Whistler
"The Forge, Passage du Dragon" by James McNeill Whistler (1894) Transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper.
Read commentary →Confidences in the Garden - James McNeill Whistler
"Confidences in the Garden" by James McNeill Whistler (1894) Transfer lithograph in black on ivory laid paper.
Read commentary →The Smith, Passage du Dragon - James McNeill Whistler
"The Smith, Passage du Dragon" by James McNeill Whistler (1894) Transfer lithograph in black with stumping, on ivory wove proofing paper laid down on a heavy backing sheet.
Read commentary →The Priest's House, Rouen - James McNeill Whistler
"The Priest's House, Rouen" by James McNeill Whistler (1894/95) Transfer lithograph in black with stumping and scraping, on cream Japanese paper.
Read commentary →The Priest's House, Rouen - James McNeill Whistler
"The Priest's House, Rouen" by James McNeill Whistler (1894/95) Transfer lithograph in black with stumping and scraping, on cream wove Japanese vellum laid down on a heavy backing sheet.
Read commentary →La Fruitière de la rue de Grenelle - James McNeill Whistler
"La Fruitière de la rue de Grenelle" by James McNeill Whistler (1894) Transfer lithograph in black on cream laid Japanese vellum.
Read commentary →The Duet - James McNeill Whistler
"The Duet" by James McNeill Whistler (1894) Transfer lithograph in black on cream laid paper.
Read commentary →The Priest's House, Rouen - James McNeill Whistler
"The Priest's House, Rouen" by James McNeill Whistler (1894–95) Transfer lithograph in black, with stumping and scraping, on cream laid paper.
Read commentary →The Priest's House, Rouen - James McNeill Whistler
"The Priest's House, Rouen" by James McNeill Whistler (1894/95) Transfer lithograph in black with stumping and scraping, on off-white chine, laid down on white plate paper.
Read commentary →The Smith, Passage du Dragon - James McNeill Whistler
"The Smith, Passage du Dragon" by James McNeill Whistler (1894) Transfer lithograph in black, with stumping, on cream wove Japanese vellum.
Read commentary →La Belle Dame endormie - James McNeill Whistler
"La Belle Dame endormie" by James McNeill Whistler (1894) Transfer lithograph in black on grayish white chine, laid down on white plate paper.
Read commentary →La Robe Rouge - James McNeill Whistler
"La Robe Rouge" by James McNeill Whistler (1894, printed 1895) Transfer lithograph in black on ivory laid paper.
Read commentary →La Robe Rouge - James McNeill Whistler
"La Robe Rouge" by James McNeill Whistler (1894) Transfer lithograph in black on ivory laid paper.
Read commentary →Portrait of Dr. Whistler, No. 2 - James McNeill Whistler
"Portrait of Dr. Whistler, No. 2" by James McNeill Whistler (1894) Transfer lithograph in black ink on grayish ivory laid proofing paper.
Read commentary →The Doctor - James McNeill Whistler
"The Doctor" by James McNeill Whistler (1894, published 1896) Transfer lithograph in black on off-white wove paper.
Read commentary →A Portrait: Mildred Howells - James McNeill Whistler
"A Portrait: Mildred Howells" by James McNeill Whistler (1894/96) Transfer lithograph in black with scraping, on ivory laid paper.
Read commentary →The Sisters - James McNeill Whistler
"The Sisters" by James McNeill Whistler (1894/95) Transfer lithograph in black with scraping, on cream wove Japanese vellum.
Read commentary →The Sisters - James McNeill Whistler
"The Sisters" by James McNeill Whistler (1894/95) Transfer lithograph with scraping, on ivory wove proofing paper.
Read commentary →Walter Sickert - James McNeill Whistler
"Walter Sickert" by James McNeill Whistler (1895) Transfer lithograph in black on ivory laid paper.
Read commentary →Study - James McNeill Whistler
"Study" by James McNeill Whistler (1894) Transfer lithograph in black on ivory laid paper.
Read commentary →Figure Study - James McNeill Whistler
"Figure Study" by James McNeill Whistler (1894) Transfer lithograph in black on grayish white chine, laid down on white plate paper.
Read commentary →Unfinished Sketch of Lady Haden - James McNeill Whistler
"Unfinished Sketch of Lady Haden" by James McNeill Whistler (1895) Lithograph, in black ink, with scraping, on cream wove Japanese vellum.
Read commentary →Unfinished Sketch of Lady Haden - James McNeill Whistler
"Unfinished Sketch of Lady Haden" by James McNeill Whistler (1895) Lithograph, in black ink, with scraping, on grayish white chine, laid down on ivory plate paper.
Read commentary →The Little Doorway, Lyme Regis - James McNeill Whistler
"The Little Doorway, Lyme Regis" by James McNeill Whistler (1895) Transfer lithograph in black on cream wove proofing paper.
Read commentary →Girl with Bowl - James McNeill Whistler
"Girl with Bowl" by James McNeill Whistler (1895) Transfer lithograph in black on cream laid paper.
Read commentary →Back of the Gaiety Theatre - James McNeill Whistler
"Back of the Gaiety Theatre" by James McNeill Whistler (1895) Lithograph in black on ivory laid paper.
Read commentary →The Strong Arm - James McNeill Whistler
"The Strong Arm" by James McNeill Whistler (1895) Transfer lithograph in black on ivory laid paper.
Read commentary →The Smith's Yard - James McNeill Whistler
"The Smith's Yard" by James McNeill Whistler (1895) Transfer lithograph in black on cream laid paper.
Read commentary →Father and Son - James McNeill Whistler
"Father and Son" by James McNeill Whistler (1895) Transfer lithograph in black on ivory laid paper.
Read commentary →The Good Shoe - James McNeill Whistler
"The Good Shoe" by James McNeill Whistler (1895) Transfer lithograph in black on cream Japanese paper.
Read commentary →The Sunny Smithy - James McNeill Whistler
"The Sunny Smithy" by James McNeill Whistler (1895) Transfer lithograph in black on ivory laid paper.
Read commentary →The Master Smith - James McNeill Whistler
"The Master Smith" by James McNeill Whistler (1895) Transfer lithograph in black on cream laid paper.
Read commentary →The Good Shoe - James McNeill Whistler
"The Good Shoe" by James McNeill Whistler (1895) Transfer lithograph in black on cream laid paper.
Read commentary →John Grove - James McNeill Whistler
"John Grove" by James McNeill Whistler (1895) Transfer lithograph in black on cream laid paper.
Read commentary →The Blacksmith - James McNeill Whistler
"The Blacksmith" by James McNeill Whistler (1895/96) Transfer lithograph in black with stumping, on cream wove proofing paper.
Read commentary →Sunday, Lyme Regis - James McNeill Whistler
"Sunday, Lyme Regis" by James McNeill Whistler (1895) Transfer lithograph in black on cream laid paper.
Read commentary →The Little Steps, Lyme Regis - James McNeill Whistler
"The Little Steps, Lyme Regis" by James McNeill Whistler (1895/96) Transfer lithograph in black on cream laid paper.
Read commentary →Sketch of a Blacksmith - James McNeill Whistler
"Sketch of a Blacksmith" by James McNeill Whistler (1895) Transfer lithograph in black on ivory Japanese paper.
Read commentary →The Old Smith's Story - James McNeill Whistler
"The Old Smith's Story" by James McNeill Whistler (1895) Transfer lithograph in black on cream laid paper.
Read commentary →Fifth of November - James McNeill Whistler
"Fifth of November" by James McNeill Whistler (1895) Transfer lithograph in black on cream laid paper.
Read commentary →Study of a Horse - James McNeill Whistler
"Study of a Horse" by James McNeill Whistler (1895) Transfer lithograph in black on ivory laid paper.
Read commentary →The Brothers - James McNeill Whistler
"The Brothers" by James McNeill Whistler (1895/96) Transfer lithograph in black on cream laid paper.
Read commentary →The Blacksmith - James McNeill Whistler
"The Blacksmith" by James McNeill Whistler (1895/96) Transfer lithograph in black, with stumping, on cream laid paper.
Read commentary →The Fair - James McNeill Whistler
"The Fair" by James McNeill Whistler (1895/96) Transfer lithograph in black on cream laid paper.
Read commentary →Sketches of Miss Philip and Mr. A. Studd - James McNeill Whistler
"Sketches of Miss Philip and Mr. A. Studd" by James McNeill Whistler (1895) Transfer lithograph in black on ivory wove proofing paper.
Read commentary →The Russian Schube - James McNeill Whistler
"The Russian Schube" by James McNeill Whistler (1896) Transfer lithograph in black, with scraping, on cream laid paper.
Read commentary →Study: Joseph Pennell - James McNeill Whistler
"Study: Joseph Pennell" by James McNeill Whistler (1896) Transfer lithograph in black on cream wove Japanese vellum.
Read commentary →Little Evelyn - James McNeill Whistler
"Little Evelyn" by James McNeill Whistler (1896) Transfer lithograph in black on cream laid paper.
Read commentary →Kensington Gardens - James McNeill Whistler
"Kensington Gardens" by James McNeill Whistler (1896) Transfer lithograph in black on cream laid paper.
Read commentary →The Barber's Shop in the Mews - James McNeill Whistler
"The Barber's Shop in the Mews" by James McNeill Whistler (1896) Transfer lithograph in black on ivory laid paper.
Read commentary →Firelight: Joseph Pennell, No. 2 - James McNeill Whistler
"Firelight: Joseph Pennell, No. 2" by James McNeill Whistler (1896) Transfer lithograph in black on cream laid paper.
Read commentary →Firelight: Joseph Pennell, No. 1 - James McNeill Whistler
"Firelight: Joseph Pennell, No. 1" by James McNeill Whistler (1896) Transfer lithograph in black on cream laid paper.
Read commentary →Firelight - James McNeill Whistler
"Firelight" by James McNeill Whistler (1896) Transfer lithograph in black on ivory laid paper.
Read commentary →Little Dorothy - James McNeill Whistler
"Little Dorothy" by James McNeill Whistler (1896) Transfer lithograph in black on ivory wove paper.
Read commentary →Waterloo Bridge - James McNeill Whistler
"Waterloo Bridge" by James McNeill Whistler (1896) Transfer lithograph in black on ivory laid paper.
Read commentary →Evening, Little Waterloo Bridge - James McNeill Whistler
"Evening, Little Waterloo Bridge" by James McNeill Whistler (1896) Transfer lithograph in black with stumping, on cream laid paper.
Read commentary →Savoy Pigeons - James McNeill Whistler
"Savoy Pigeons" by James McNeill Whistler (1896) Transfer lithograph in black on cream laid paper.
Read commentary →Portrait Study: Mr. Herbert C. Pollitt - James McNeill Whistler
"Portrait Study: Mr. Herbert C. Pollitt" by James McNeill Whistler (1896) Transfer lithograph, with scraping in black on cream laid paper.
Read commentary →The Manager's Window, Gaiety Theatre - James McNeill Whistler
"The Manager's Window, Gaiety Theatre" by James McNeill Whistler (1896) Transfer lithograph in black on ivory laid paper.
Read commentary →Needlework - James McNeill Whistler
"Needlework" by James McNeill Whistler (1896) Transfer lithograph in black on ivory laid paper.
Read commentary →Study No. 2: Mr. Thomas Way - James McNeill Whistler
"Study No. 2: Mr. Thomas Way" by James McNeill Whistler (1896) Transfer lithograph in black on cream laid paper.
Read commentary →Study No. 2: Mr. Thomas Way - James McNeill Whistler
"Study No. 2: Mr. Thomas Way" by James McNeill Whistler (1896) Transfer lithograph in black on cream wove Japanese vellum.
Read commentary →Study No. 1: Mr. Thomas Way - James McNeill Whistler
"Study No. 1: Mr. Thomas Way" by James McNeill Whistler (1896) Transfer lithograph in black on ivory chine, laid down on off-white plate paper.
Read commentary →Portrait Study: Mrs. Philip - James McNeill Whistler
"Portrait Study: Mrs. Philip" by James McNeill Whistler (1896) Transfer lithograph in black on ivory Japanese paper.
Read commentary →Little London - James McNeill Whistler
"Little London" by James McNeill Whistler (1896) Transfer lithograph in black with stumping, on ivory laid paper.
Read commentary →The Butcher's Dog - James McNeill Whistler
"The Butcher's Dog" by James McNeill Whistler (1896) Transfer lithograph in black on ivory laid paper.
Read commentary →Sketch of William E. Henley - James McNeill Whistler
"Sketch of William E. Henley" by James McNeill Whistler (1896) Transfer lithograph in black with stumping, on ivory laid paper.
Read commentary →St. Anne's, Soho - James McNeill Whistler
"St. Anne's, Soho" by James McNeill Whistler (1896) Transfer lithograph in black on ivory laid paper.
Read commentary →Charing Cross Railway Bridge - James McNeill Whistler
"Charing Cross Railway Bridge" by James McNeill Whistler (1896) Transfer lithograph in black with stumping, scraping, and incising, on cream laid paper.
Read commentary →Little London Model - James McNeill Whistler
"Little London Model" by James McNeill Whistler (1896) Transfer lithograph in black on ivory laid paper.
Read commentary →St. Giles-in-the-Fields - James McNeill Whistler
"St. Giles-in-the-Fields" by James McNeill Whistler (1896) Transfer lithograph in black, with stumping, on cream laid paper.
Read commentary →The Shoemaker - James McNeill Whistler
"The Shoemaker" by James McNeill Whistler (1896) Transfer lithograph in various black inks, with stumping, on buff laid paper.
Read commentary →The Medici Collar - James McNeill Whistler
"The Medici Collar" by James McNeill Whistler (1897) Transfer lithograph in various black inks, on buff laid paper.
Read commentary →Afternoon Tea - James McNeill Whistler
"Afternoon Tea" by James McNeill Whistler (1897) Transfer lithograph in various black inks, on tan laid Japanese vellum.
Read commentary →Portrait Study: Mrs. Philip, No. 3 (recto) Portrait Study: Geneviève Mallarmé (verso) - James McNeill Whistler
"Portrait Study: Mrs. Philip, No. 3 (recto) Portrait Study: Geneviève Mallarmé (verso)" by James McNeill Whistler (1897) Transfer lithograph in black on ivory plate paper.
Read commentary →Portrait Study: Mrs. Philip, No. 4 [Studies of the Philips] - James McNeill Whistler
"Portrait Study: Mrs. Philip, No. 4 [Studies of the Philips]" by James McNeill Whistler (1897) Transfer lithograph in black, printed over counterproof of lithograph in black, on ivory laid paper.
Read commentary →Mother and Daughter [La Mère Malade] - James McNeill Whistler
"Mother and Daughter [La Mère Malade]" by James McNeill Whistler (1897) Counterproof of transfer lithograph with stumping, in black, on off-white wove paper.
Read commentary →The Shoemaker - James McNeill Whistler
"The Shoemaker" by James McNeill Whistler (1896) Transfer lithograph in various black inks, with stumping, on grayish ivory China paper.
Read commentary →Fish Shop, Chelsea - James McNeill Whistler
"Fish Shop, Chelsea" by James McNeill Whistler (1886) Etching and drypoint with foul biting and plate tone in dark brown on ivory laid paper.
Read commentary →Nocturne: Palaces - James McNeill Whistler
"Nocturne: Palaces" by James McNeill Whistler (1879/80) Etching and drypoint in brownish black, with selective wiping of plate tone, on ivory laid paper.
Read commentary →Drury Lane - James McNeill Whistler
"Drury Lane" by James McNeill Whistler (1880/81) Etching with foul biting in black on cream laid paper.
Read commentary →Nocturne: Palaces - James McNeill Whistler
"Nocturne: Palaces" by James McNeill Whistler (1879/80) Etching and drypoint in black, with selective wiping of plate tone, on ivory laid paper.
Read commentary →Draped Figure, Reclining - James McNeill Whistler
"Draped Figure, Reclining" by James McNeill Whistler (1892) Transfer lithograph from five stones, in black (keystone), bluish-green, olive green, yellowish green, yellow, purple-brown, pale ochre, orange-red, and rose on ivory laid paper.
Read commentary →Life Cast of the Hands and Face of Abraham Lincoln - Leonard Wells Volk
"Life Cast of the Hands and Face of Abraham Lincoln" by Leonard Wells Volk (Cast in plaster 1860; cast in bronze by 1888) Bronze.
Read commentary →Violet Sargent - Augustus Saint-Gaudens
"Violet Sargent" by Augustus Saint-Gaudens (Modeled 1890, cast c. 1908) Bronze.
Read commentary →The Prodigal Son with Harlots - Amos Doolittle
"The Prodigal Son with Harlots" by Amos Doolittle (n.d.) Hand-colored engraving on paper.
Read commentary →Fruit Piece - Hannah Brown Skeele
"Fruit Piece" by Hannah Brown Skeele (1860) Oil on canvas.
Read commentary →Thistles - John Singer Sargent
"Thistles" by John Singer Sargent (1883–89) Oil on canvas.
Read commentary →Venetian Glass Workers - John Singer Sargent
"Venetian Glass Workers" by John Singer Sargent (1880–82) Oil on canvas.
Read commentary →On a Balcony - Mary Cassatt
"On a Balcony" by Mary Cassatt (1878–79) Oil on canvas.
Read commentary →Abraham Lincoln - Daniel Chester French
"Abraham Lincoln" by Daniel Chester French (Modeled 1912, cast after 1912) Bronze.
Read commentary →Self-Portrait - Eastman Johnson
"Self-Portrait" by Eastman Johnson (1863) Oil on millboard.
Read commentary →Georgia O'Keeffe—Hands and Thimble - Alfred Stieglitz
"Georgia O'Keeffe—Hands and Thimble" by Alfred Stieglitz (1919) Palladium print.
Read commentary →The Schooner Jane of Bath, Maine - William Bradford
"The Schooner Jane of Bath, Maine" by William Bradford (1857) Oil on canvas.
Read commentary →The Steerage - Alfred Stieglitz
"The Steerage" by Alfred Stieglitz (1907, printed in or before 1913) Photogravure.
Read commentary →Equivalent, from Set A (Third Set, Print 7) - Alfred Stieglitz
"Equivalent, from Set A (Third Set, Print 7)" by Alfred Stieglitz (1929) Gelatin silver print.
Read commentary →A Wet Day on the Boulevard, Paris - Alfred Stieglitz
"A Wet Day on the Boulevard, Paris" by Alfred Stieglitz (1894) Carbon print.
Read commentary →Poplars - Lake George - Alfred Stieglitz
"Poplars - Lake George" by Alfred Stieglitz (1935) Gelatin silver print.
Read commentary →From My Window at An American Place, Southwest - Alfred Stieglitz
"From My Window at An American Place, Southwest" by Alfred Stieglitz (1932) Gelatin silver print.
Read commentary →Grass and Flagpole - Alfred Stieglitz
"Grass and Flagpole" by Alfred Stieglitz (1933) Gelatin silver print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1922) Gelatin silver print.
Read commentary →Equivalent, from Set A (Third Set, Print 6) - Alfred Stieglitz
"Equivalent, from Set A (Third Set, Print 6)" by Alfred Stieglitz (1929) Gelatin silver print.
Read commentary →Equivalent, from Set A (Third Set, Print 8) - Alfred Stieglitz
"Equivalent, from Set A (Third Set, Print 8)" by Alfred Stieglitz (1929) Gelatin silver print.
Read commentary →Equivalent, from Set A (Third Set, Print 4) - Alfred Stieglitz
"Equivalent, from Set A (Third Set, Print 4)" by Alfred Stieglitz (1929) Gelatin silver print.
Read commentary →Equivalent, from Set A (Third Set, Print 5) - Alfred Stieglitz
"Equivalent, from Set A (Third Set, Print 5)" by Alfred Stieglitz (1929) Gelatin silver print.
Read commentary →Equivalent, from Set A (Third Set, Print 3) - Alfred Stieglitz
"Equivalent, from Set A (Third Set, Print 3)" by Alfred Stieglitz (1929) Gelatin silver print.
Read commentary →Equivalent, from Set A (Third Set, Print 2) - Alfred Stieglitz
"Equivalent, from Set A (Third Set, Print 2)" by Alfred Stieglitz (1929) Gelatin silver print.
Read commentary →Equivalent, from Set A (Third Set, Print 1) - Alfred Stieglitz
"Equivalent, from Set A (Third Set, Print 1)" by Alfred Stieglitz (1929) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1925) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1929) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1927) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1926) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1927) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1930) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1930) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1925) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1925) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1925) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1929) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1923) Gelatin silver print.
Read commentary →Equivalent, from Set E (Print 3) - Alfred Stieglitz
"Equivalent, from Set E (Print 3)" by Alfred Stieglitz (1923) Gelatin silver print.
Read commentary →Equivalent, from Set E (Print 1) - Alfred Stieglitz
"Equivalent, from Set E (Print 1)" by Alfred Stieglitz (1923) Gelatin silver print.
Read commentary →Equivalent, from Set E (print 2) - Alfred Stieglitz
"Equivalent, from Set E (print 2)" by Alfred Stieglitz (1923) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1930) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1923) Gelatin silver print.
Read commentary →Equivalent, Spiritual America - Alfred Stieglitz
"Equivalent, Spiritual America" by Alfred Stieglitz (1923) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1924) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (1931) Gelatin silver print.
Read commentary →Equivalent - Alfred Stieglitz
"Equivalent" by Alfred Stieglitz (c. 1929) Gelatin silver print.
Read commentary →From My Window at An American Place, Southwest - Alfred Stieglitz
"From My Window at An American Place, Southwest" by Alfred Stieglitz (1932) Gelatin silver print.
Read commentary →From My Window at An American Place, North - Alfred Stieglitz
"From My Window at An American Place, North" by Alfred Stieglitz (1931) Gelatin silver print.
Read commentary →From My Window at An American Place, North - Alfred Stieglitz
"From My Window at An American Place, North" by Alfred Stieglitz (1931) Gelatin silver print.
Read commentary →From My Window at An American Place, North - Alfred Stieglitz
"From My Window at An American Place, North" by Alfred Stieglitz (1930/31) Gelatin silver print.
Read commentary →New York from the Shelton - Alfred Stieglitz
"New York from the Shelton" by Alfred Stieglitz (1935) Gelatin silver print.
Read commentary →From My Window at the Shelton, West - Alfred Stieglitz
"From My Window at the Shelton, West" by Alfred Stieglitz (1931) Gelatin silver print.
Read commentary →From My Window at the Shelton, West - Alfred Stieglitz
"From My Window at the Shelton, West" by Alfred Stieglitz (1931) Gelatin silver print.
Read commentary →From My Window at the Shelton, West - Alfred Stieglitz
"From My Window at the Shelton, West" by Alfred Stieglitz (1931) Gelatin silver print.
Read commentary →The Dying Chestnut Tree—My Teacher - Alfred Stieglitz
"The Dying Chestnut Tree—My Teacher" by Alfred Stieglitz (1927) Gelatin silver print.
Read commentary →Hedge and Grasses - Lake George - Alfred Stieglitz
"Hedge and Grasses - Lake George" by Alfred Stieglitz (1933) Gelatin silver print.
Read commentary →Barn—Lake George - Alfred Stieglitz
"Barn—Lake George" by Alfred Stieglitz (1922) Gelatin silver print.
Read commentary →Window: Wood, Glass, Snow - Alfred Stieglitz
"Window: Wood, Glass, Snow" by Alfred Stieglitz (1923) Gelatin silver print.
Read commentary →Music - A Sequence of Ten Cloud Photographs, No. II - Alfred Stieglitz
"Music - A Sequence of Ten Cloud Photographs, No. II" by Alfred Stieglitz (1922) Gelatin silver print.
Read commentary →Lake George - Alfred Stieglitz
"Lake George" by Alfred Stieglitz (c. 1922) Gelatin silver print.
Read commentary →Poplars—Lake George - Alfred Stieglitz
"Poplars—Lake George" by Alfred Stieglitz (1932) Gelatin silver print.
Read commentary →The Dancing Trees - Alfred Stieglitz
"The Dancing Trees" by Alfred Stieglitz (1922) Palladium print.
Read commentary →Door to Kitchen, Lake George - Alfred Stieglitz
"Door to Kitchen, Lake George" by Alfred Stieglitz (1934) Gelatin silver print.
Read commentary →The Dying Chestnut - Alfred Stieglitz
"The Dying Chestnut" by Alfred Stieglitz (1919) Gelatin silver print.
Read commentary →First Snow and the Little House - Alfred Stieglitz
"First Snow and the Little House" by Alfred Stieglitz (1923) Gelatin silver print.
Read commentary →Grass and Frost - Alfred Stieglitz
"Grass and Frost" by Alfred Stieglitz (1934) Gelatin silver print.
Read commentary →Lake George from the Hill - Alfred Stieglitz
"Lake George from the Hill" by Alfred Stieglitz (1932) Gelatin silver print.
Read commentary →Car 2F-77-77 - Alfred Stieglitz
"Car 2F-77-77" by Alfred Stieglitz (1935) Gelatin silver print.
Read commentary →Lake George - Alfred Stieglitz
"Lake George" by Alfred Stieglitz (1922) Gelatin silver print.
Read commentary →House and Grape Leaves - Alfred Stieglitz
"House and Grape Leaves" by Alfred Stieglitz (1934) Gelatin silver print.
Read commentary →House and Grape Leaves - Alfred Stieglitz
"House and Grape Leaves" by Alfred Stieglitz (1934) Gelatin silver print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1922) Palladium print.
Read commentary →Georgia O'Keeffe—Torso - Alfred Stieglitz
"Georgia O'Keeffe—Torso" by Alfred Stieglitz (1918) Gelatin silver print.
Read commentary →Georgia O'Keeffe—Neck - Alfred Stieglitz
"Georgia O'Keeffe—Neck" by Alfred Stieglitz (1921) Gelatin silver print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1918) Palladium print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1918) Palladium print.
Read commentary →Georgia O'Keeffe - Hands and Horse Skull - Alfred Stieglitz
"Georgia O'Keeffe - Hands and Horse Skull" by Alfred Stieglitz (1931) Gelatin silver print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1919/20) Platinum print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1918) Platinum print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1922) Palladium print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1918) Platinum print.
Read commentary →Georgia O'Keeffe—Hands - Alfred Stieglitz
"Georgia O'Keeffe—Hands" by Alfred Stieglitz (1920/22) Palladium print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1919/21) Palladium print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1918) Palladium print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1919/21) Platinum print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1922) Gelatin silver print.
Read commentary →Georgia O'Keeffe - Feet - Alfred Stieglitz
"Georgia O'Keeffe - Feet" by Alfred Stieglitz (1918) Palladium print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1918) Palladium print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1933) Gelatin silver print.
Read commentary →Georgia O'Keeffe—Hand - Alfred Stieglitz
"Georgia O'Keeffe—Hand" by Alfred Stieglitz (1918) Palladium print.
Read commentary →Georgia O'Keeffe - Alfred Stieglitz
"Georgia O'Keeffe" by Alfred Stieglitz (1918) Gelatin silver print.
Read commentary →Dorothy Norman - Alfred Stieglitz
"Dorothy Norman" by Alfred Stieglitz (1930) Gelatin silver print.
Read commentary →Dorothy Norman - Alfred Stieglitz
"Dorothy Norman" by Alfred Stieglitz (c. 1931) Gelatin silver print.
Read commentary →Dualities - Dorothy Norman - Alfred Stieglitz
"Dualities - Dorothy Norman" by Alfred Stieglitz (1932) Gelatin silver print.
Read commentary →Barn, Lake George - Alfred Stieglitz
"Barn, Lake George" by Alfred Stieglitz (1936) Gelatin silver print.
Read commentary →Rainbow - Alfred Stieglitz
"Rainbow" by Alfred Stieglitz (1920) Gelatin silver print.
Read commentary →Rebecca Salsbury Strand - Alfred Stieglitz
"Rebecca Salsbury Strand" by Alfred Stieglitz (1922) Gelatin silver print.
Read commentary →Rebecca Salsbury Strand - Alfred Stieglitz
"Rebecca Salsbury Strand" by Alfred Stieglitz (1922) Gelatin silver print.
Read commentary →Rebecca Salsbury Strand - Alfred Stieglitz
"Rebecca Salsbury Strand" by Alfred Stieglitz (1922) Gelatin silver print.
Read commentary →Rebecca Salsbury Strand - Alfred Stieglitz
"Rebecca Salsbury Strand" by Alfred Stieglitz (1922) Gelatin silver print.
Read commentary →Hedwig Stieglitz - Alfred Stieglitz
"Hedwig Stieglitz" by Alfred Stieglitz (1921/22) Gelatin silver print.
Read commentary →Tree Set 3 - Alfred Stieglitz
"Tree Set 3" by Alfred Stieglitz (c. 1924) Gelatin silver print.
Read commentary →The Old Maple—Lake George - Alfred Stieglitz
"The Old Maple—Lake George" by Alfred Stieglitz (1926) Gelatin silver print.
Read commentary →Poplars—Lake George - Alfred Stieglitz
"Poplars—Lake George" by Alfred Stieglitz (1935) Gelatin silver print.
Read commentary →Gable and Apples - Alfred Stieglitz
"Gable and Apples" by Alfred Stieglitz (1922) Gelatin silver print.
Read commentary →Sherwood Anderson - Alfred Stieglitz
"Sherwood Anderson" by Alfred Stieglitz (1923) Gelatin silver print.
Read commentary →Sherwood Anderson - Alfred Stieglitz
"Sherwood Anderson" by Alfred Stieglitz (1923) Palladium print.
Read commentary →Sherwood Anderson - Alfred Stieglitz
"Sherwood Anderson" by Alfred Stieglitz (1923) Gelatin silver print.
Read commentary →Sherwood Anderson - Alfred Stieglitz
"Sherwood Anderson" by Alfred Stieglitz (1923) Gelatin silver print.
Read commentary →Katharine Dudley - Alfred Stieglitz
"Katharine Dudley" by Alfred Stieglitz (1922) Palladium print.
Read commentary →Waldo Frank - Alfred Stieglitz
"Waldo Frank" by Alfred Stieglitz (1920) Palladium print.
Read commentary →John Marin - Alfred Stieglitz
"John Marin" by Alfred Stieglitz (1921/22) Gelatin silver print.
Read commentary →Dorothy True - Alfred Stieglitz
"Dorothy True" by Alfred Stieglitz (1919) Gelatin silver print.
Read commentary →Rebecca Salsbury Strand - Alfred Stieglitz
"Rebecca Salsbury Strand" by Alfred Stieglitz (1922) Palladium print.
Read commentary →Rebecca Salsbury Strand - Alfred Stieglitz
"Rebecca Salsbury Strand" by Alfred Stieglitz (1922) Palladium print.
Read commentary →Arthur G. Dove - Alfred Stieglitz
"Arthur G. Dove" by Alfred Stieglitz (1923) Gelatin silver print.
Read commentary →Georgia Engelhard - Alfred Stieglitz
"Georgia Engelhard" by Alfred Stieglitz (1920) Palladium print.
Read commentary →Lake George, Oaklawn - Alfred Stieglitz
"Lake George, Oaklawn" by Alfred Stieglitz (1912/13) Gelatin silver print.
Read commentary →Arthur G. Dove - Alfred Stieglitz
"Arthur G. Dove" by Alfred Stieglitz (1912) Platinum print.
Read commentary →John Marin - Alfred Stieglitz
"John Marin" by Alfred Stieglitz (1910) Platinum print.
Read commentary →Marsden Hartley - Alfred Stieglitz
"Marsden Hartley" by Alfred Stieglitz (1916) Platinum print.
Read commentary →From the Back-Window "291" - Alfred Stieglitz
"From the Back-Window "291"" by Alfred Stieglitz (1915) Platinum print.
Read commentary →From the Back-Window "291" Snow-Covered Tree, Back-Yard - Alfred Stieglitz
"From the Back-Window "291" Snow-Covered Tree, Back-Yard" by Alfred Stieglitz (1915) Platinum print.
Read commentary →From Room "3003" - The Shelton, New York, Looking Northeast - Alfred Stieglitz
"From Room "3003" - The Shelton, New York, Looking Northeast" by Alfred Stieglitz (1927) Gelatin silver print.
Read commentary →The Flatiron - Alfred Stieglitz
"The Flatiron" by Alfred Stieglitz (1903, printed 1920/39) Gelatin silver print.
Read commentary →The Terminal - Alfred Stieglitz
"The Terminal" by Alfred Stieglitz (1893, printed 1920/39) Gelatin silver print.
Read commentary →The Steerage - Alfred Stieglitz
"The Steerage" by Alfred Stieglitz (1907, printed 1920/39) Gelatin silver print.
Read commentary →The Hand of Man - Alfred Stieglitz
"The Hand of Man" by Alfred Stieglitz (1902, printed 1920/39) Gelatin silver print.
Read commentary →A Wet Day on the Boulevard, Paris - Alfred Stieglitz
"A Wet Day on the Boulevard, Paris" by Alfred Stieglitz (1894, printed 1918/32) Gelatin silver print.
Read commentary →Venice - Alfred Stieglitz
"Venice" by Alfred Stieglitz (1894, printed 1920/39) Gelatin silver print.
Read commentary →Stones of Venice, Chioggia - Alfred Stieglitz
"Stones of Venice, Chioggia" by Alfred Stieglitz (1887, printed 1920/39) Gelatin silver print.
Read commentary →A Street in Sterzing, The Tyrol - Alfred Stieglitz
"A Street in Sterzing, The Tyrol" by Alfred Stieglitz (1890) Platinum print.
Read commentary →My Father - Alfred Stieglitz
"My Father" by Alfred Stieglitz (1894, printed 1920/39) Gelatin silver print.
Read commentary →Rebecca Salsbury Strand - Alfred Stieglitz
"Rebecca Salsbury Strand" by Alfred Stieglitz (1922) Gelatin silver print.
Read commentary →Rebecca Salsbury Strand - Alfred Stieglitz
"Rebecca Salsbury Strand" by Alfred Stieglitz (1922) Gelatin silver print.
Read commentary →Rebecca Salsbury Strand - Alfred Stieglitz
"Rebecca Salsbury Strand" by Alfred Stieglitz (1922) Gelatin silver print.
Read commentary →Rebecca Salsbury Strand - Alfred Stieglitz
"Rebecca Salsbury Strand" by Alfred Stieglitz (1922) Gelatin silver print.
Read commentary →November Days - Alfred Stieglitz
"November Days" by Alfred Stieglitz (1887, printed 1920/39) Gelatin silver print.
Read commentary →Mid Snow and Ice - Alfred Stieglitz
"Mid Snow and Ice" by Alfred Stieglitz (1894, printed 1920/39) Gelatin silver print.
Read commentary →The Net Mender - Alfred Stieglitz
"The Net Mender" by Alfred Stieglitz (1894) Carbon print.
Read commentary →An Icy Night, New York - Alfred Stieglitz
"An Icy Night, New York" by Alfred Stieglitz (1898) Carbon print.
Read commentary →Fiola Flannery, Kitty Stieglitz - Alfred Stieglitz
"Fiola Flannery, Kitty Stieglitz" by Alfred Stieglitz (1902) Platinum print.
Read commentary →Fiola Flannery, Kitty Stieglitz - Alfred Stieglitz
"Fiola Flannery, Kitty Stieglitz" by Alfred Stieglitz (1902) Platinum print.
Read commentary →Aileen Flannery - Alfred Stieglitz
"Aileen Flannery" by Alfred Stieglitz (1902) Platinum print.
Read commentary →Aileen Flannery - Alfred Stieglitz
"Aileen Flannery" by Alfred Stieglitz (1902) Platinum print.
Read commentary →Thomas Abthorpe Cooper (1776-1849) - Chester Harding
"Thomas Abthorpe Cooper (1776-1849)" by Chester Harding (c. 1822) Oil on canvas.
Read commentary →Boston Common - Artist unknown
"Boston Common" by Artist unknown (1850–63) Oil on canvas.
Read commentary →The Bronco Buster - Frederic Remington
"The Bronco Buster" by Frederic Remington (Modeled 1895, cast 1899) Bronze with brown patina.
Read commentary →Woman in a Blue Dress - School of William Matthew Prior
"Woman in a Blue Dress" by School of William Matthew Prior (c. 1840) Oil on academy board.
Read commentary →The Sisters - George Inness
"The Sisters" by George Inness (1882) Oil on millboard.
Read commentary →New England Country Seat - Artist unknown
"New England Country Seat" by Artist unknown (1800–20) Oil on yellow poplar panel.
Read commentary →Near Newport - John Frederick Kensett
"Near Newport" by John Frederick Kensett (1869) Oil on canvas.
Read commentary →One Dollar Silver Certificate - Victor Dubreuil
"One Dollar Silver Certificate" by Victor Dubreuil (1898–1900) Oil on canvas.
Read commentary →Portrait of Fred Adelbert Haywood - School of William Matthew Prior
"Portrait of Fred Adelbert Haywood" by School of William Matthew Prior (February 16, 1848) Oil on panel.
Read commentary →After a Summer Shower - George Inness
"After a Summer Shower" by George Inness (1894) Oil on canvas.
Read commentary →The Old Mill - George Inness
"The Old Mill" by George Inness (1849) Oil on canvas.
Read commentary →Jules Bastien-Lepage - Augustus Saint-Gaudens
"Jules Bastien-Lepage" by Augustus Saint-Gaudens (Modeled 1880, cast 1881) Copper with bronze patina.
Read commentary →Fly Fishing, Saranac Lake - Winslow Homer
"Fly Fishing, Saranac Lake" by Winslow Homer (1889) Etching and aquatint with lavis, stopping-out, scraping, and burnishing, on moderately thick, smooth, cream simulated Japanese vellum.
Read commentary →Life-Size Black Bass - Winslow Homer
"Life-Size Black Bass" by Winslow Homer (1904) Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on thick, moderately textured (twill texture on verso), ivory wove paper (left, right and lower edges trimmed).
Read commentary →The Rapids, Hudson River, Adirondacks - Winslow Homer
"The Rapids, Hudson River, Adirondacks" by Winslow Homer (1894) Transparent watercolor, with traces of opaque watercolor, blotting, and scraping, over graphite, on thick, rough-textured, ivory wove paper.
Read commentary →Still Life—Strawberries, Nuts, &c. - Raphaelle Peale
"Still Life—Strawberries, Nuts, &c." by Raphaelle Peale (1822) Oil on wood panel.
Read commentary →The Solitude of the Soul - Lorado Taft
"The Solitude of the Soul" by Lorado Taft (Modeled in plaster 1901; sculpted in marble 1914) Marble.
Read commentary →York Harbor, Coast of Maine - Martin Johnson Heade
"York Harbor, Coast of Maine" by Martin Johnson Heade (1877) Oil on canvas.
Read commentary →View of Cotopaxi - Frederic Edwin Church
"View of Cotopaxi" by Frederic Edwin Church (1857) Oil on canvas.
Read commentary →Life Study (Study of an Egyptian Girl) - John Singer Sargent
"Life Study (Study of an Egyptian Girl)" by John Singer Sargent (1891) Oil on canvas.
Read commentary →Seventeenth-Century Interior - Charles Gifford Dyer
"Seventeenth-Century Interior" by Charles Gifford Dyer (1877) Oil on canvas.
Read commentary →Major-General Henry Dearborn - Gilbert Stuart
"Major-General Henry Dearborn" by Gilbert Stuart (1812) Oil on mahogany panel.
Read commentary →Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver - John Singer Sargent
"Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver" by John Singer Sargent (c. 1879) Oil on canvas.
Read commentary →Nydia, The Blind Flower Girl of Pompeii - Randolph Rogers
"Nydia, The Blind Flower Girl of Pompeii" by Randolph Rogers (modeled 1855–56, carved 1858) Marble.
Read commentary →Country Preacher - Artist unknown
"Country Preacher" by Artist unknown (1860–90) White pine and paint.
Read commentary →Mrs. Reuben Allerton (Lois Atherton) - Ammi Phillips
"Mrs. Reuben Allerton (Lois Atherton)" by Ammi Phillips (1821–22) Oil on canvas.
Read commentary →Cornelius Allerton - Ammi Phillips
"Cornelius Allerton" by Ammi Phillips (1821–22) Oil on canvas.
Read commentary →Olivia Simes Morris - James Peale
"Olivia Simes Morris" by James Peale (1814) Oil on canvas.
Read commentary →The Return, Tynemouth (recto) Study (verso) - Winslow Homer
"The Return, Tynemouth (recto) Study (verso)" by Winslow Homer (1881) Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, moderately-textured, ivory wove paper (left and lower edges trimmed).
Read commentary →The Cock Fight - Winslow Homer
"The Cock Fight" by Winslow Homer (1885) Transparent and opaque watercolor, with traces of scraping, over graphite, on thick, moderately textured, cream wove paper (top and lower edges trimmed).
Read commentary →For to Be a Farmer's Boy - Winslow Homer
"For to Be a Farmer's Boy" by Winslow Homer (1887) Transparent and opaque watercolor, with rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on thick, rough-textured ivory wove paper (lower edge trimmed).
Read commentary →The Water Fan - Winslow Homer
"The Water Fan" by Winslow Homer (1898/99) Watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper.
Read commentary →Two Boys Watching Schooners - Winslow Homer
"Two Boys Watching Schooners" by Winslow Homer (1880) Watercolor, with graphite, on moderately thick, rough-textured, ivory wove paper.
Read commentary →The Lone Boat, North Woods Club, Adirondacks - Winslow Homer
"The Lone Boat, North Woods Club, Adirondacks" by Winslow Homer (1892) Watercolor, with rewetting, blotting, and scraping, over traces of graphite, on thick, rough-textured, ivory wove paper.
Read commentary →Mrs. Daniel Hubbard (Mary Greene) - John Singleton Copley
"Mrs. Daniel Hubbard (Mary Greene)" by John Singleton Copley (c. 1764) Oil on canvas.
Read commentary →Hermine David - Jules Pascin
"Hermine David" by Jules Pascin (1907) Oil on canvas.
Read commentary →Dr. Jonathan Potts (1745-1781) - Henry Benbridge
"Dr. Jonathan Potts (1745-1781)" by Henry Benbridge (1770–76) Oil on canvas.
Read commentary →A Holiday - Edward Henry Potthast
"A Holiday" by Edward Henry Potthast (c. 1915) Oil on canvas.
Read commentary →The Fire Eater Raised His Arms to the Thunder Bird - Frederic Remington
"The Fire Eater Raised His Arms to the Thunder Bird" by Frederic Remington (c. 1900) Oil on canvas.
Read commentary →Study for "An Aragonese Smuggler" - William Turner Dannat
"Study for "An Aragonese Smuggler"" by William Turner Dannat (1881) Oil on canvas.
Read commentary →Bust of Mary Harris Thompson, MD - Daniel Chester French
"Bust of Mary Harris Thompson, MD" by Daniel Chester French (1902) Marble.
Read commentary →Ralph Waldo Emerson (1803-1882) - Daniel Chester French
"Ralph Waldo Emerson (1803-1882)" by Daniel Chester French (modeled 1879) Plaster.
Read commentary →Lawrence Barrett as "Cassius" - Jonathan Scott Hartley
"Lawrence Barrett as "Cassius"" by Jonathan Scott Hartley (1884) Bronze.
Read commentary →Ceremony of the Fastest Horse - Frederic Remington
"Ceremony of the Fastest Horse" by Frederic Remington (c. 1900) Oil on canvas.
Read commentary →Nothing But Cheerful Looks Followed the Bat - Frederic Remington
"Nothing But Cheerful Looks Followed the Bat" by Frederic Remington (c. 1900) Oil on canvas.
Read commentary →Snow Field, Morning, Roxbury - John La Farge
"Snow Field, Morning, Roxbury" by John La Farge (1864) Oil on beveled mahogany panel.
Read commentary →Houses on the Fox River, Illinois - Artist unknown
"Houses on the Fox River, Illinois" by Artist unknown (1881–90) Oil on panel.
Read commentary →The Grey Bodice - Julian Alden Weir
"The Grey Bodice" by Julian Alden Weir (1898) Oil on canvas.
Read commentary →James William Wallack - Charles Robert Leslie
"James William Wallack" by Charles Robert Leslie (1835–40) Oil on canvas.
Read commentary →Tea - Mary Cassatt
"Tea" by Mary Cassatt (c. 1890) Drypoint in brown ink on ivory laid paper.
Read commentary →The Mandolin Player - Mary Cassatt
"The Mandolin Player" by Mary Cassatt (c. 1889) Drypoint in brown ink on ivory laid paper.
Read commentary →Reflection - Mary Cassatt
"Reflection" by Mary Cassatt (c. 1890) Drypoint in brown ink on ivory laid paper.
Read commentary →Peasant Mother and Child - Mary Cassatt
"Peasant Mother and Child" by Mary Cassatt (c. 1894) Color drypoint and aquatint, with additions in yellow, on white laid paper.
Read commentary →The Fitting - Mary Cassatt
"The Fitting" by Mary Cassatt (1890–91) Color aquatint and drypoint on off-white wove paper.
Read commentary →Lady in Black, in a Loge, Facing Right - Mary Cassatt
"Lady in Black, in a Loge, Facing Right" by Mary Cassatt (c. 1881) Soft ground etching in brown ink on cream laid paper.
Read commentary →On the Balcony - Mary Cassatt
"On the Balcony" by Mary Cassatt (c. 1889) Soft ground etching in black-brown ink on blued white laid paper.
Read commentary →Lydia Reading - Mary Cassatt
"Lydia Reading" by Mary Cassatt (1880-81) Aquatint, with soft ground etching and drypoint, on cream wove paper.
Read commentary →On the Balcony - Mary Cassatt
"On the Balcony" by Mary Cassatt (c. 1889) Soft ground etching in gray-brown ink on cream laid paper.
Read commentary →Harriett Pullman Carolan - John Singer Sargent
"Harriett Pullman Carolan" by John Singer Sargent (1911) Charcoal on cream laid paper.
Read commentary →Mrs. Charles Deering (Marion Denison Whipple) - John Singer Sargent
"Mrs. Charles Deering (Marion Denison Whipple)" by John Singer Sargent (1888) Oil on canvas.
Read commentary →Study of Two Bedouins - John Singer Sargent
"Study of Two Bedouins" by John Singer Sargent (1905–6) Oil on canvas.
Read commentary →Mrs. Charles Gifford Dyer (Mary Anthony) - John Singer Sargent
"Mrs. Charles Gifford Dyer (Mary Anthony)" by John Singer Sargent (1880) Oil on canvas.
Read commentary →Water Carriers on the Nile - John Singer Sargent
"Water Carriers on the Nile" by John Singer Sargent (1891) Oil on canvas.
Read commentary →An Artist at His Easel - John Singer Sargent
"An Artist at His Easel" by John Singer Sargent (1914) Watercolor over traces of graphite on ivory wove paper.
Read commentary →Workmen at Carrara - John Singer Sargent
"Workmen at Carrara" by John Singer Sargent (1911) Watercolor with touches of opaque watercolor and scraping over graphite on ivory wove paper.
Read commentary →Woodsheds, Tyrol - John Singer Sargent
"Woodsheds, Tyrol" by John Singer Sargent (1914) Watercolor with scraping and wax resist over graphite on ivory wove paper.
Read commentary →Olive Trees, Corfu - John Singer Sargent
"Olive Trees, Corfu" by John Singer Sargent (1909) Watercolor and opaque watercolor with scraping and wax resist over graphite on ivory wove paper.
Read commentary →Yacht Dock - John Henry Twachtman
"Yacht Dock" by John Henry Twachtman (c. 1889, printed 1921) Etching in black on cream wove paper.
Read commentary →Coal Dock, Bridgeport - John Henry Twachtman
"Coal Dock, Bridgeport" by John Henry Twachtman (1888-89) Etching in black on cream wove paper.
Read commentary →The Old Toll House at Bridgeport (Large Plate) - John Henry Twachtman
"The Old Toll House at Bridgeport (Large Plate)" by John Henry Twachtman (1888) Etching in black and pen and black ink and graphite on ivory laid paper.
Read commentary →Mill in Holland - John Henry Twachtman
"Mill in Holland" by John Henry Twachtman (1884/89) Etching in black on ivory wove paper.
Read commentary →French Landscape - John Henry Twachtman
"French Landscape" by John Henry Twachtman (1884/89) Etching in black on cream wove paper.
Read commentary →Holland Dykes - John Henry Twachtman
"Holland Dykes" by John Henry Twachtman (1885/88) Etching and drypoint in black on cream Japanese paper.
Read commentary →Four Boats - John Henry Twachtman
"Four Boats" by John Henry Twachtman (1881/85) Etching and drypoint in black on cream wove paper.
Read commentary →Windmills - John Henry Twachtman
"Windmills" by John Henry Twachtman (1881, printed 1921) Etching in black on cream wove paper.
Read commentary →Snow Landscape - John Henry Twachtman
"Snow Landscape" by John Henry Twachtman (1879–83) Etching and drypoint in black cream wove paper.
Read commentary →Mill Creek, Cincinnati - John Henry Twachtman
"Mill Creek, Cincinnati" by John Henry Twachtman (1879-80) Etching in black on cream wove paper.
Read commentary →Autumn Landscape - John Henry Twachtman
"Autumn Landscape" by John Henry Twachtman (1879–80, printed 1921) Etching in black on cream wove paper.
Read commentary →Harbor with Barges - John Henry Twachtman
"Harbor with Barges" by John Henry Twachtman (1879-70) Etching in brown on tan wove paper.
Read commentary →Shanties and Factories - John Henry Twachtman
"Shanties and Factories" by John Henry Twachtman (1879–80, printed 1921) Drypoint in black on cream wove paper.
Read commentary →Evening - John Henry Twachtman
"Evening" by John Henry Twachtman (1881) Etching on China paper.
Read commentary →Dock at Newport - John Henry Twachtman
"Dock at Newport" by John Henry Twachtman (1893) Etching on ivory laid paper.
Read commentary →The White Bridge - John Henry Twachtman
"The White Bridge" by John Henry Twachtman (after 1895) Oil on canvas.
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