Te arii vahine—opoi (Woman with Mangos—Tired), from the Suite of Late Wood-Block Prints - Paul Gauguin

Gift of the Print and Drawing Club

"Te arii vahine—opoi (Woman with Mangos—Tired), from the Suite of Late Wood-Block Prints" by Paul Gauguin (1898/99) Wood-block print in black ink on thin ivory Japanese paper, partially laid down on white Japanese paper.

Commentary

"Te arii vahine—opoi (Woman with Mangos—Tired), from the Suite of Late Wood-Block Prints" by Paul Gauguin (1898/99) invites a close look at how form and feeling work together. Themes to notice include woodcut. This piece is held in the s ource collection's Prints and Drawings collection. Paul Gauguin is the artist behind this work. A useful anchor for reading the piece: Paul Gauguin French, 1848-1903. The work is cataloged within a France cultural context. How to look at this work: It is cataloged as woodcut, which gives a clue to how the museum frames the object. Its medium (Wood-block print in black ink on thin ivory Japanese paper, partially laid down on white Japanese paper) affects texture, durability, and how detail reads at different distances. Its listed dimensions (Image: 16.5 × 30.5 cm (6 1/2 × 12 1/16 in.); Image with printed edge of block, lower left: 17.1 × 30.5 cm (6 3/4 × 12 1/16 in.); Primary/secondary support: 22.8 × 30.5 cm (9 × 12 1/16 in.)) suggest how intimate or monumental it may feel in person. Subject cues from the catalog include woodcut. Compare this reading with the museum record at the source collection: https://www.artic.edu/artworks/82569

Sources: Art Institute of Chicago; Art Institute of Chicago / Public Records; Art Institute of Chicago Collection Data