Seated Tahitian Woman (recto); Standing Tahitian Woman (verso) - Paul Gauguin

Gift of Edward McCormick Blair

"Seated Tahitian Woman (recto); Standing Tahitian Woman (verso)" by Paul Gauguin (1891/93) Pen and brown ink (originally purple, est.), with graphite, on cream wove paper (recto); pen and brown ink (originally purple, est.), with traces of graphite, on cream wove paper; removed from a sketchbook and trimmed.

Commentary

"Seated Tahitian Woman (recto); Standing Tahitian Woman (verso)" by Paul Gauguin (1891/93) invites a close look at how form and feeling work together. Themes to notice include pen and ink drawings. This piece is held in the source c ollection's Prints and Drawings collection. Paul Gauguin is the artist behind this work. A useful anchor for reading the piece: Paul Gauguin French, 1848-1903. The work is cataloged within a France cultural context. How to look at this work: It is cataloged as pen and ink drawings, which gives a clue to how the museum frames the object. Its medium (Pen and brown ink (originally purple, est.), with graphite, on cream wove paper (recto); pen and brown ink (originally purple, est.), with traces of graphite, on cream wove paper; removed from a sketchbook and trimmed) affects texture, durability, and how detail reads at different distances. Its listed dimensions (17.9 × 15.8 cm (7 1/16 × 6 1/4 in.)) suggest how intimate or monumental it may feel in person. Subject cues from the catalog include pen and ink drawings. Compare this reading with the museum record at the source collection: https://www.artic.edu/artworks/159077

Sources: Art Institute of Chicago; Art Institute of Chicago / Public Records; Art Institute of Chicago Collection Data