Nave nave fenua (Delightful Land), from the Noa Noa Suite - Paul Gauguin

Gift of the Print and Drawing Club

"Nave nave fenua (Delightful Land), from the Noa Noa Suite" by Paul Gauguin (1893–94) Wood-block print in residual brown and black inks, with selective wiping, a transferred twill impression, and touches of hand-applied dark brown ink, on thin, pale-pink wove paper (faded to tan).

Commentary

"Nave nave fenua (Delightful Land), from the Noa Noa Suite" by Paul Gauguin (1893–94) invites a close look at how form and feeling work together. Themes to notice include woodcut. This piece is held in the source collection's Pr ints and Drawings collection. Paul Gauguin is the artist behind this work. A useful anchor for reading the piece: Paul Gauguin French, 1848-1903. The work is cataloged within a France cultural context. How to look at this work: It is cataloged as woodcut, which gives a clue to how the museum frames the object. Its medium (Wood-block print in residual brown and black inks, with selective wiping, a transferred twill impression, and touches of hand-applied dark brown ink, on thin, pale-pink wove paper (faded to tan)) affects texture, durability, and how detail reads at different distances. Its listed dimensions (Image: 35.5 × 20.5 cm (14 × 8 1/8 in.); Sheet: 35.8 × 20.8 cm (14 1/8 × 8 1/4 in.)) suggest how intimate or monumental it may feel in person. Subject cues from the catalog include woodcut. Compare this reading with the museum record at the source collection: https://www.artic.edu/artworks/52984

Sources: Art Institute of Chicago; Art Institute of Chicago / Public Records; Art Institute of Chicago Collection Data