Auti te pape (Women at the River), from the Noa Noa Suite - Paul Gauguin

Clarence Buckingham Collection

"Auti te pape (Women at the River), from the Noa Noa Suite" by Paul Gauguin (1893/94) Wood-block print, printed twice in pale orange and black ink, over transferred yellow, pink, orange, blue and green oil-based media, with traces of conifer resin (probably pine resin), on cream wove Japanese paper, laid down on cream wove Japanese paper.

Commentary

"Auti te pape (Women at the River), from the Noa Noa Suite" by Paul Gauguin (1893/94) invites a close look at how form and feeling work together. Its painted surface guides your eye through color, brushwork, and contrast rather than through narrative alone. T hemes to notice include woodcut. This piece is held in the source collection's Prints and Drawings collection. Paul Gauguin is the artist behind this work. A useful anchor for reading the piece: Paul Gauguin French, 1848-1903. The work is cataloged within a France cultural context. How to look at this work: It is cataloged as woodcut, which gives a clue to how the museum frames the object. Its medium (Wood-block print, printed twice in pale orange and black ink, over transferred yellow, pink, orange, blue and green oil-based media, with traces of conifer resin (probably pine resin), on cream wove Japanese paper, laid down on cream wove Japanese paper) affects texture, durability, and how detail reads at different distances. Its listed dimensions (Image/primary/secondary support: 20.3 × 35.3 cm (8 × 13 15/16 in.)) suggest how intimate or monumental it may feel in person. Subject cues from the catalog include woodcut. Compare this reading with the museum record at the source collection: https://www.artic.edu/artworks/63064

Sources: Art Institute of Chicago; Art Institute of Chicago / Public Records; Art Institute of Chicago Collection Data