Charles Baudelaire, Full Face III - Édouard Manet

Clarence Buckingham Collection

"Charles Baudelaire, Full Face III" by Édouard Manet (1868) Etching and plate tone in black heightened with brush and gray wash on ivory laid paper.

Commentary

"Charles Baudelaire, Full Face III" by Édouard Manet (1868) invites a close look at how form and feeling work together. The print-based method rewards close viewing, where line, texture, and contrast do most of the expressive work. Themes to not ice include etching. This piece is held in the source collection's Prints and Drawings collection. Édouard Manet is the artist behind this work. A useful anchor for reading the piece: Édouard Manet (French, 1832-1883) after Nadar Gaspard Félix Tournachon (French, 1820-1910). The work is cataloged within a France cultural context. How to look at this work: It is cataloged as etching, which gives a clue to how the museum frames the object. Its medium (Etching and plate tone in black heightened with brush and gray wash on ivory laid paper) affects texture, durability, and how detail reads at different distances. Its listed dimensions (Image: 16.6 × 9.8 cm (6 9/16 × 3 7/8 in.); Plate: 17 × 10.3 cm (6 3/4 × 4 1/16 in.); Sheet: 17.2 × 11.4 cm (6 13/16 × 4 1/2 in.)) suggest how intimate or monumental it may feel in person. Subject cues from the catalog include etching. Compare this reading with the museum record at the source collection: https://www.artic.edu/artworks/103102

Sources: Art Institute of Chicago; Art Institute of Chicago / Public Records; Art Institute of Chicago Collection Data